Jump to ContentJump to Main Navigation
Cinema and SensationFrench Film and the Art of Transgression$
Users without a subscription are not able to see the full content.

Martine Beugnet

Print publication date: 2007

Print ISBN-13: 9780748620425

Published to Edinburgh Scholarship Online: September 2012

DOI: 10.3366/edinburgh/9780748620425.001.0001

Show Summary Details
Page of

PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 06 June 2020

A ‘Third Path’

A ‘Third Path’

Chapter:
(p.21) Chapter 1 A ‘Third Path’
Source:
Cinema and Sensation
Author(s):

Martine Beugnet

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748620425.003.0002

Taking Artaud’s call for a ‘third path’ in cinema as a cue, chapter 1 examines cinema’s intricate history with materiality, sensationalism and transgression. It emphasizes the continuing belief in the medium’s unique capacity for combining thought and affect to argue for alternative filmmaking and theorising practices.

Keywords:   Artaud, Deleuze, Affect, Sensory thought

Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.