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The American Counterculture$
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Christopher Gair

Print publication date: 2007

Print ISBN-13: 9780748619887

Published to Edinburgh Scholarship Online: September 2012

DOI: 10.3366/edinburgh/9780748619887.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 07 April 2020

Music

Music

Chapter:
(p.161) Chapter Six Music
Source:
The American Counterculture
Author(s):

Christopher Gair

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748619887.003.0009

During the 1960s the music of the counterculture was transformed rapidly and repeatedly. This chapter traces these changes from the folk revival through the British invasion, Blues rock, psychedelia, etc., looking at the impact of key figures including Bob Dylan, The Beatles, Jefferson Airplane and Jimi Hendrix. It argues that the anti-modernist impulses of the early 1960s were replaced by an obsession with new technology and a corporate structure in which artists were able to hide their economic ambitions through the separation of musician and manager.

Keywords:   Folk Revival, British Invasion, Blues Rock, Psychedelic Rock, Drug Use, LSD

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