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Media Rights and Intellectual Property$
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Richard Haynes

Print publication date: 2005

Print ISBN-13: 9780748618804

Published to Edinburgh Scholarship Online: September 2012

DOI: 10.3366/edinburgh/9780748618804.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 24 September 2021

Music and copyright

Music and copyright

(p.47) 4 Music and copyright
Media Rights and Intellectual Property

Richard Haynes

Edinburgh University Press

The music industry is often overlooked in the analysis of media industries. Indeed, music is often viewed outside the general pantheon of what is meant by ‘the media’. Upon close inspection, however, it is clear not only that music is a major media industry in and of itself, but furthermore that it weaves itself into the very fabric of all audiovisual media, and even has a significant presence within print-based media in terms of reviews and promotion. The task of licensing the use of music copyright has been passed on to a range of collecting societies who oversee the administration of rights on behalf of rights owners. This chapter explores the main elements of music copyright, focusing on its relationship to the economics of the industry and the mechanics of copyright protection within the business. After discussing the origins of music copyright, the chapter goes on to examine music and copyright infringement, home recording and peer-to-peer downloading of digital music files, and Internet file sharing.

Keywords:   music, copyright, music industry, licensing, collecting societies, copyright infringement, home recording, peer-to-peer downloading, Internet, file sharing

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