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Television PolicyThe MacTaggart Lectures$
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Bob Franklin

Print publication date: 2005

Print ISBN-13: 9780748617173

Published to Edinburgh Scholarship Online: September 2012

DOI: 10.3366/edinburgh/9780748617173.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 05 June 2020

Naturalism and Television

Naturalism and Television

The James Mactaggart Lecture 1977

Chapter:
(p.45) Naturalism and Television
Source:
Television Policy
Author(s):

Marcel Ophuls

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748617173.003.0003

In this lecture, the author, the maker of television documentaries such as The Sorrow and the Pity, Sense of Loss and Memory of Justice, first expresses his admiration for his father, Max Ophuls, and describes how he himself became what he deprecatingly describes as ‘a self indulgent specialist of four-and-a-half talking-head marathons’: that is, documentaries. This lecture's critique of naturalism explores, but strongly contests, themes addressed by John McGrath at the initial festival in 1976: ‘John McGrath and I do not agree at all’, the author acknowledges, ‘on the nature, on the causes or the definition of the naturalist tradition’. The lecture discusses the techniques of naturalism — its social functions, social mission and social purpose. It then recalls the author's ‘irresistible urge’ to say that he ‘much preferred the realism of Noel Coward's This Happy Breed…to the elaborately bleak naturalism of Cathy Come Home’.

Keywords:   naturalism, television, television documentaries, Max Ophuls, John McGrath, realism, Noel Coward, This Happy Breed, Cathy Come Home

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