Jump to ContentJump to Main Navigation
Television PolicyThe MacTaggart Lectures$
Users without a subscription are not able to see the full content.
Television Policy: The MacTaggart Lectures

Bob Franklin

Print publication date: 2005

Print ISBN-13: 9780748617173

Published to Edinburgh Scholarship Online: September 2012

DOI: 10.3366/edinburgh/9780748617173.001.0001

Show Summary Details
Page of

PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 30 March 2020

TV Drama: The Case against Naturalism

TV Drama: The Case against Naturalism

The James MacTaggart Lecture 1976

Chapter:
(p.35) TV Drama: The Case against Naturalism
Source:
Television Policy
Author(s):

John McGrath

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748617173.003.0002

In this lecture, the author, a socialist, playwright, director and founder of the 7:84 theatre company, shapes his recollections of working with James MacTaggart in London in the early 1960s into what Troy Kennedy Martin (1986) described as a ‘swingeing attack on naturalism’. He argues that naturalism imposes a certain ‘neutrality about life on the writer, the actor and the audience’: it presents a world that is ‘static, implied and ambivalent’. He claims that the television image is not conducive to naturalist drama because it lacks sensuality. Television images are situated in the context of reported reality: viewers watching television drama will have witnessed, ‘napalmed women in Vietnam running about on fire’. MacTaggart produced and directed a number of series called Storyboard, The Wednesday Play and Diary of a Young Man. There are three distinguishing features of the television image: its non-sensual informative nature, its lack of empathy and its situation in the context of reported reality. This lecture challenges people working in television to ask themselves why there is so much critical debate about film but so little about television.

Keywords:   James MacTaggart, television drama, television image, naturalism, sensuality, reported reality, empathy, Storyboard

Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.