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Bernier, C. (2013-02-06). ‘Death to any one that puts his foot in No Man[’s] Land’: ‘Afromodernist’ Reimagining and Aesthetic Experimentation in Horace Pippin’s World War I Manuscripts and Paintings. In Afromodernisms: Paris, Harlem and the Avant-Garde. : Edinburgh University Press. Retrieved 20 Sep. 2021, from https://edinburgh.universitypressscholarship.com/view/10.3366/edinburgh/9780748646401.001.0001/upso-9780748646401-chapter-8.