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This book considers the politics of patronage appointments at the universities in Glasgow, Edinburgh, and St Andrews. The book explores the ways in which 388 men secured posts in three Scottish universities between 1690 and 1806; from the purge following the Revolution of 1688 to the end of Henry Dundas's political career. Most professors were political appointees vetted and supported by political factions and their leaders. This study explores the improving agenda of political patrons and of those they served and relates this to the Scottish Enlightenment. The book argues that what was happening in Scotland was also occurring in other parts of Europe where, in relatively autonomous localities, elite patrons also shaped things as they wished them to be. The role of patronage in the Enlightenment is essential to any understanding of its origins and course. This book is based on much archival study and adds substantially to what is known about the Scottish professorial during the period.

This book discusses how justice was administrated and applied in medieval Egypt. The model that evolved during the early middle ages involved four judicial institutions: the cadi, the court of complaints (mazalim), the police (shurta), responsible for criminal justice, and the Islamised market law (hisba), administrated by the market supervisor (the muhtasib). Literary and non-literary sources are used to highlight how these institutions worked in real-time situations such as the famine of 1024-1025, which posed tremendous challenges to both the market supervisor and the ruling establishment. The inner workings of the court of complaint during the Fatimid period (10^th-12^th century) are also extensively discussed. The discussion is extended to include the way the courts of non-Muslim communities were perceived and functioned during the Fatimid period. The discussion also provides insights into the scope of non-Muslim self-rule/judicial autonomy in medieval Islam.

The making of the modern world was a result of the fall of empires and the emergence of nation-states. This is particularly true across the frontiers of the Ottoman Empire, a region connecting the Balkans to the Black Sea littoral, and the Middle East to the Caucasus. In approaching this poly-ethnic, multi-religious and trans-imperial hub of turmoil, the existing historiographies have either trivialized or idealized the role of rebels, revolutionaries and racketeers. Although revisionist scholarship has critically analysed political violence, imperialism and nation-state building, there is still a need to develop a comparative understanding of political actors that shaped the moments of political transition in these frontiers of empires. We accordingly propose a new genre of comparative and connected histories of rebels, revolutionaries and racketeers during what we call an “Age of Rogues.”

There are more than 15 million people over age 65 currently living in the Arab world, yet little attention has been paid to the cultural significance of growing old. The book recognizes the widespread silence by countering the critical corpus that reads the modern Arabic novel as a political discourse with an emphasis on youth achievement. By offering close readings of 16 fictional works from different parts of the Arab world such as novels by Alia Mamdouh, Sahar Khalifah, Iman Kachachi, Rashid al-Daif and Alaa al-Aswany, the study utilizes biological and cultural theories of ageing- particularly from the perspective of gender and feminism- that shed light on the representation of ageing in the Arabic novel. The study makes use of feminist theories of ageing and gerontology that focus on sexism and ageism, including works by Simone de Beauvoir and Margaret Marganroth Gullette to present aging as a relational formation between men and women, and their idiosyncratic experiences of the process of ageing, revealing that there is no prototype of oldness in the Arabic novel and that older men and women manifest a multiplicity of identities, concerns and experiences. The study challenges the ungendered image generally attributed to older persons and examines how they navigate old age and subvert it. As they grow older men and women manifest a multiplicity of identities, concerns, and experiences revealing that the ageing process is an ongoing inherently unstable project.

This book explores how the Internet presents radical ways of organising and producing media that offer political and cultural alternatives, both to ways of doing business and to how we understand the world and our place in it. It is characterised by in-depth case studies. Topics include the media of new social movements and other radical political organisations (including the far right); websites produced by fans of popular culture; and media dedicated to developing a critical, ‘public’ journalism. The book locates these studies in appropriate theoretical and historical contexts, while remaining accessible to a student audience. Major themes include: the use of the Internet by political groups such as the anti-capitalist and environmental movements, as well as the far right; radical forms of creativity and distribution — the anti-copyright and sampling/file-sharing movements, and their role as cultural critics in a corporate world; the development and maintenance of a global, ‘digital public sphere’ of protest through such practices as ‘hacktivism’; the use of new media technologies to transform existing media forms and practices, such as news media and Internet radio.

Hollywood has a growing fascination with America's past. This is evidenced in the release of a rash of films of this genre in the past twenty-five years. This book offers an analysis of how and why contemporary Hollywood films have sought to mediate American history. It explores, comprehensively, the post-Cold War period of filmmaking, and considers whether or how far contemporary films have begun to unravel the unifying myths of earlier films and periods. The book also considers why such films are becoming increasingly integral to the ambitions of a globally focused American film industry. The relationship between film and history — the way in which film mediates history and vice versa — is a complex one. This book works from two main assumptions. First, that films revise events to challenge or, perhaps more typically, to reaffirm traditional historical interpretations. Second, that this process can only be understood in the context of contemporary debates about identity politics, America's role in world affairs, and the globalisation of the American film business.

This volume considers the changing patterns of American thought and culture in its transition into the early twenty-first century. One of the questions this book tackles is whether the twenty-first century will prove to be ‘the next American century’, or one in which challenges to the structure of nation-states will radically transform the status, prestige and global role of the United States. The study is stimulated by two perceived turning points in American life: the political swing back towards the right represented by the election of George W. Bush in November 2000 and the attacks of 11 September 2001. The 18 chapters address domestic American issues, but also the place of the United States within a broader global narrative of commerce, cultural exchange, international diplomacy, ideological conflict, terrorism and war. The contributors to this volume take both long and short historical views of shifting intellectual trends and cultural patterns: comparing contemporary issues with the climate of the 1990s, but also looking back to earlier twentieth-century moments and concerns. In addition to assessing specific challenges arising in recent years, contributors address emerging issues and points of intensification that are likely to take effect in future years. The book has a thematic structure and is divided into three sections, dealing in turn with Politics, Society and Culture, and covering a wide span of topics that address issues of nationhood, globalization, ideology and cultural representation.

The Fatimids’ apocalyptic vision of their central place in an imminent utopia played a critical role in transfiguring the intellectual and political terrains of North Africa in the early tenth century. Yet the realities that they faced on the ground often challenged their status as the custodians of a pristine Islam at the end of time. Through an examination of a variety of sources including works of taʾwīl or symbolic interpretation, this book illustrates some of the specific structures and functions of Fatimid apocalypticism. It then examines how various components of the apocalyptic myth—especially the utopia that it promised—evolved in response to shifting historical circumstances. The book also focuses on how the evolution of apocalyptic symbolism was related to the Fatimids’ consolidation of authority. The book ends with an extensive analysis of both the ritual and textual dimensions of another apocalyptic event linked to a Fatimid lineage: the Nizari Ismaili declaration of the end of time on August 8, 1164.

Examining a single broad tribal identity - al-Azd - from pre-Islamic Arabia through the Umayyad and into the early Abbasid era, this book notes the ways it was continually refashioned over that time. It explores the ways in which the rise of the early Islamic empire influenced the peoples of the Arabian Peninsula who became a core part of it, and examines the connections between the kinship societies and the developing state of the early caliphate. This helps us to understand how what are often called 'tribal' forms of social organisation identity conditioned its growth and helped shape what became its common elite culture. Studying the relationship between tribe and state during the first two centuries of the caliphate, the focus is on understanding the survival and transformation of tribal identity until it became part of the literate high culture of the Abbasid caliphate and a component of a larger Arab ethnic identity. The book argues that, from pre-Islamic Arabia to the caliphate, greater continuity existed between tribal identity and social practice than is generally portrayed.

A socio-political and cultural history of the Armenians in Cold War Lebanon, this book argues that Armenians around the world – in the face of the Genocide, and despite the absence of an independent nation-state after World War I – developed dynamic socio-political, cultural, ideological and ecclesiastical centres. And it focuses on one such centre, Beirut, in the postcolonial 1940s and 1950s. Tsolin Nalbantian explores Armenians’ discursive re-positioning within the newly independent Lebanese nation-state; the political-cultural impact (in Lebanon as well as Syria) of the 1946–8 repatriation initiative to Soviet Armenia; the 1956 Catholicos election; and the 1957 Lebanese elections and 1958 mini-civil war. What emerges is a post-Genocide Armenian history of – principally – power, renewal and presence, rather than one of loss and absence. Armenians Beyond Diaspora: Making Lebanon Their Own investigates Lebanese Armenians’ changing views of their place in the making of the Lebanese state and its wider Arab environment, and in relation to the Armenian Socialist Soviet Republic. It challenges the dominant Armenian historiography, which treats Lebanese Armenians as a subsidiary of an Armenian global diaspora, and contributes to an understanding of the development of class and sectarian cleavages that led to the breakdown of civil society in Lebanon from 1975. In highlighting the role of societal actors in the US–Soviet Cold War in the Middle East, it also questions the tendency to read Middle East history through the lens of dominant (Arab) nationalisms.

The idea of the museum as a space committed to dialogue and inclusive representation which is paramount to museology in the Global North has had trouble finding ground in the Middle East and North Africa where museums remain—and have mostly been depicted as—the carriers of homogenous national identities, at the expense of cultural and social difference. Research recently undertaken by anthropologists, museum specialists and historians reveal that this monolithic museographic conception of culture is in the process of being challenged. Whilst some public museums in the region have engaged in the reconsideration of the narratives underpinning their collections, the past two decades have also seen a boom in private museum initiatives led by social and cultural minority groups whose experiences have until now been marginalised within, or absent from, state-led exhibitionary practices. This volume discusses the contradictions and opportunities museums have created for minority groups across the Mediterranean basin, from the early twentieth century to the contemporary period. It explores whether museums can provide a suitable canvas for minorities to express their voice, what kind of narratives is articulated, and whether these can challenge cultural and social stereotypes and deploy new kinds of identities.

Some of the world’s most exquisite medieval paintings, from late fifteenth-century Herat and the early Safavid workshops, illustrate well-known episodes of popular romances––like Leyla & Majnun––that give prominence to depictions of unrelated figures such as a milkmaid or a spinner at the scene of the hero Majnun’s death. This interdisciplinary study aims to uncover the significance of this enigmatic, century-long trend from its genesis at the Timurid court to its continued development into the Safavid era. The analysis of iconography in several luxury manuscript paintings within the context of contemporary cultural trends, especially the ubiquitous mystical and messianic movements in the post-Mongol Turco-Persian world, reveals the meaning of many of these obscure figures and scenes and links this extraordinary innovation in the iconography of Persian painting to one of the most significant events in the history of Islam: the takeover of Iran by the Safavids in 1501. The apparently inscrutable figures, which initially appeared in illustrations of didactic Sufi narrative poetry, allude to metaphors and verbal expressions of Sufi discourse going back to the twelfth century. These “emblematic” figure-types served to emphasize the moral lessons of the narrative subject of the illustrated text by deploying familiar tropes from an intertextual Sufi literary discourse conveyed through verses by poets like Rumi, Attar and Jami, and ended up complementing and expressing Safavid political power at its greatest extent: the conversion of Iran to Shiism.

This book explores the roles of contemporary urban shrines and their visual traditions in Benin City. It focuses on the charismatic priests and priestesses who are possessed by a pantheon of deities, the communities of devotees, and the artists who make artifacts for their shrines. The visual arts are part of a wider configuration of practices that include song, dance, possession, and healing. These practices provide the means for exploring the relationships of the visual to both the verbal and performance arts that feature at these shrines. The analysis in this book raises fundamental questions about how the art of Benin, and non-Western art histories more generally, are understood. The book throws critical light on the taken-for-granted assumptions that underpin current interpretations and presents an original and revisionist account of Benin art history.

Bayana in Rajasthan and its monuments challenge the perceived but established view of the development of Indo-Muslim architecture and urban form. At the end of the 12th century the Ghurid conquerors took the mighty Hindu fort, building the first Muslim city below on virgin ground. It was the centre of an autonomous region during the 15th and 16th centuries and was even considered by Sikandar Lodī for the capital of his sultanate before he decided on Agra, then a mere village of Bayana. A peculiarity of historic sites in India is that whole towns with outstanding remains can, through political change or climatic events, be either built over by modern developments or fall into obscurity. The latter is the case with Bayana, abandoned following an earthquake in 1505. Going beyond a simple study of the historic, architectural and archaeological remains ‒ surveyed and illustrated in detail ‒ the book takes on the wider issues of how far the artistic traditions of Bayana, which developed independently from those of Delhi, later influenced North Indian architecture and were the forerunners of the Mughal architectural style, which draw many of its features from innovations developed first in Bayana.

This book argues that scholars too often assume that the state is the most important force behind change in local political communities in Africa. Studies look to the state, and to the impact of government reforms, as ways of understanding processes of development and change. Using the example of Uganda, regarded as one of Africa's few ‘success stories’, the book chronicles the insignificance of the state and the marginal impact of Western development agencies. Extensive ethnographic fieldwork in a Ugandan village reveals that it is churches, the village court and organizations based on family and kinship obligations which represent the most significant sites of innovation and social transformation. The book offers a new anthropological perspective on how to think about processes of social and political change in poorer parts of the world, and should appeal to anyone interested in African development.

This is the first modern book-length study of the case of Thomas Aikenhead, the sometime University of Edinburgh student who in 1697 earned the unfortunate distinction of being the last person executed for blasphemy in Britain. Taking a micro-historical approach, the book uses the Aikenhead case to open a window into the world of Edinburgh, Scotland and Britain in its transition from the confessional era of the Reformation and the covenants, which placed high emphasis on the defence of orthodox belief, to the polite, literary world of the Enlightenment, of which Edinburgh would become a major centre. The book traces the roots of the Aikenhead case in seventeenth-century Scotland and the law of blasphemy which was evolving in response to the new intellectual currents of biblical criticism and deism. The author analyzes Aikenhead's trial and the Scottish government's decision to uphold the sentence of hanging. Finally, he details the debate engendered by the execution, carried out in a public sphere of print media encompassing both Scotland and England. Aikenhead's case became a media event which highlighted the intellectual and cultural divisions within Britain at the end of the seventeenth century.

Is it lawful to shed the blood of a man or a woman who insults the Prophet Muhammad? Does the Qur’an stipulate a worldly punishment for apostates? Beginning with a genealogy of religious freedom in contemporary Islam, this book tells the gripping story of Rafiq Taqi, an Azerbaijani journalist and writer, who was condemned to death by an Iranian cleric for a blasphemous news article in 2006. Delving into the most sacred sources for all Muslims – the Qur’an and Hadith – Mohsen Kadivar explores the subject of blasphemy and apostasy from the perspective of Shi’a jurisprudence to articulate a polarisation between secularism and extremist religious orthodoxy. In a series of online exchanges, he debates the case with Muhammad Jawad Fazel, the son of Grand Ayatollah Fazel Lankarani who issued the fatwa pronouncing death penalty on Taqi. While disapproving of the journalist’s writings, Kadivar takes a defensive stance against vigilante murders and asks whether death for apostasy reflects the true spirit of Islam. This book presents a back-and-forth debate between modern two Shi’a jurists (one conservative, one reformist) that locates the exact points of controversy surrounding apostasy and blasphemy. It engages with the broader subjects of religious freedom and human rights, addressing both secular and religious interests. The author’s extensive new introduction and annotations throughout the text brings the work up-to-date and place it in its academic and public contexts. Finally, the book takes a front-row seat to the debate on blasphemy and apostasy in Islam.

Six years before the Egyptian revolution of January 2011, many young Egyptians had resorted to blogging as a means of self-expression and literary creativity. Some of these bloggers have not only received big popularity within the online community, but have also attracted the interest of independent and mainstream publishing houses, and have made their way into the Arab cultural field. Previous research on the impact of the Internet in the Middle East has been dominated by a focus on politics and the public sphere, while its influence on cultural domains remains very little explored. Blogging From Egypt aims at filling this gap by exploring young Egyptians’ blogs as forms of digital literature. It studies a corpus of 40 personal blogs written and distributed online between 2005 and 2016, combining literary analysis with interviews with the authors. The study reveals that the experimentation with blogging resulted in the emergence of a new literary genre: the autofictional blog. The book explores the aesthetic features of this genre, as well as its relation to the events of the “Arab Spring”. Finally, it discusses how blogs have evolved in the last years after 2011 and what is left of the blog in Arabic literary production. The book includes original extracts and translation from blogs, made available for the first time to an English-speaking audience.

The Spanish Civil War (1936–1939) was reported by some of the most eminent journalists of the twentieth century and was the subject of reportage that still endures in public memory. However, this represents just a small fraction of the total news coverage of the war, raising the possibility that it provides a partial, even atypical, view of the international media's engagement with, and performance in, the conflict. This book provides the most extensive and detailed analysis of the reporting of the conflict ever undertaken, examining the personalities, routines, pressures, and structures that shaped news coverage of the war in Britain as it unfolded. The book combines a comprehensive overview of the existing literature on the role of the news media in the conflict, with a vast amount of new evidence, gleaned from the author's detailed investigations in a range of official and media archives.

This is a study of the British state's generation, suppression and manipulation of news to further foreign policy goals during the early Cold War. Bribing editors, blackballing ‘unreliable’ journalists, creating instant media experts through provision of carefully edited ‘inside information’ and exploiting the global media system to plant propaganda – disguised as news – around the world: these were all methods used by the British to try to convince the international public of Soviet deceit and criminality and thus gain support for anti-Soviet policies at home and abroad. Britain's shaky international position heightened the importance of propaganda. The Soviets and Americans were investing heavily in propaganda to win the ‘hearts and minds’ of the world and substitute for increasingly unthinkable nuclear war. The British exploited and enhanced their media power and propaganda expertise to keep up with the superpowers, and to preserve their own global influence at a time when British economic, political and military power was sharply declining. This activity directly influenced domestic media relations, as officials used British media to launder foreign-bound propaganda and to create the desired images of British ‘public opinion’ for foreign audiences. By the early 1950s, censorship had waned, but covert propaganda had become addictive. The endless tension of the Cold War normalised what had previously been abnormal state involvement in the media, and led it to use similar tools against Egyptian nationalists, Irish republicans and British leftists. Much more recently, official manipulation of news about Iraq indicates that a behind-the-scenes examination of state propaganda's earlier days is highly relevant. The author draws heavily on recently declassified archival material for this book, especially files of the Foreign Office's anti-Communist Information Research Department propaganda agency and the papers of key media organisations, journalists, politicians and officials. Readers will therefore gain a greater understanding of the depth of the state's power with the media at a time when concerns about propaganda and media manipulation are once again at the fore.