Ramazan Öztan and Alp Yenen (eds)
- Published in print:
- 2021
- Published Online:
- January 2022
- ISBN:
- 9781474462624
- eISBN:
- 9781399501774
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474462624.001.0001
- Subject:
- Society and Culture, Middle Eastern Studies
The making of the modern world was a result of the fall of empires and the emergence of nation-states. This is particularly true across the frontiers of the Ottoman Empire, a region connecting the ...
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The making of the modern world was a result of the fall of empires and the emergence of nation-states. This is particularly true across the frontiers of the Ottoman Empire, a region connecting the Balkans to the Black Sea littoral, and the Middle East to the Caucasus. In approaching this poly-ethnic, multi-religious and trans-imperial hub of turmoil, the existing historiographies have either trivialized or idealized the role of rebels, revolutionaries and racketeers. Although revisionist scholarship has critically analysed political violence, imperialism and nation-state building, there is still a need to develop a comparative understanding of political actors that shaped the moments of political transition in these frontiers of empires. We accordingly propose a new genre of comparative and connected histories of rebels, revolutionaries and racketeers during what we call an “Age of Rogues.”Less
The making of the modern world was a result of the fall of empires and the emergence of nation-states. This is particularly true across the frontiers of the Ottoman Empire, a region connecting the Balkans to the Black Sea littoral, and the Middle East to the Caucasus. In approaching this poly-ethnic, multi-religious and trans-imperial hub of turmoil, the existing historiographies have either trivialized or idealized the role of rebels, revolutionaries and racketeers. Although revisionist scholarship has critically analysed political violence, imperialism and nation-state building, there is still a need to develop a comparative understanding of political actors that shaped the moments of political transition in these frontiers of empires. We accordingly propose a new genre of comparative and connected histories of rebels, revolutionaries and racketeers during what we call an “Age of Rogues.”
Ryan Mallon
- Published in print:
- 2021
- Published Online:
- January 2022
- ISBN:
- 9781474482790
- eISBN:
- 9781399502139
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474482790.001.0001
- Subject:
- Religion, Church History
A history of post-Disruption Scottish Presbyterian dissent and its religious, political and social influence.
The Disruption of the Church of Scotland was one of the most important events in ...
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A history of post-Disruption Scottish Presbyterian dissent and its religious, political and social influence.
The Disruption of the Church of Scotland was one of the most important events in Victorian Britain and had a profound and lasting impact on Scottish religion, politics and society. This book provides the first detailed account of the two major non-established Presbyterian denominations in the two decades after 1843, which together accounted for roughly half of Scotland’s churchgoers: the Free Church, formed by those who left the Established Church at the Disruption, and the United Presbyterian Church, a consolidation of the various secessions of the previous century.
Ryan Mallon explores how the relationship between these churches developed from the bitter feuds over the church-state connection prior to the Disruption to co-operation in the major ecclesiastical, political, and social matters of the day, paving the way to negotiations for merger commencing in 1863. The period between 1843 and 1863 redefined conceptions of what it meant to be Presbyterian and Scottish. By examining a key transitional period in Scottish history, this monograph charts how definitions of Presbyterianism, the Kirk, and dissent evolved as Scotland’s national religion slowly moved from the divisions of the previous century towards eventual reunion in 1929.Less
A history of post-Disruption Scottish Presbyterian dissent and its religious, political and social influence.
The Disruption of the Church of Scotland was one of the most important events in Victorian Britain and had a profound and lasting impact on Scottish religion, politics and society. This book provides the first detailed account of the two major non-established Presbyterian denominations in the two decades after 1843, which together accounted for roughly half of Scotland’s churchgoers: the Free Church, formed by those who left the Established Church at the Disruption, and the United Presbyterian Church, a consolidation of the various secessions of the previous century.
Ryan Mallon explores how the relationship between these churches developed from the bitter feuds over the church-state connection prior to the Disruption to co-operation in the major ecclesiastical, political, and social matters of the day, paving the way to negotiations for merger commencing in 1863. The period between 1843 and 1863 redefined conceptions of what it meant to be Presbyterian and Scottish. By examining a key transitional period in Scottish history, this monograph charts how definitions of Presbyterianism, the Kirk, and dissent evolved as Scotland’s national religion slowly moved from the divisions of the previous century towards eventual reunion in 1929.
Elizabeth Castaldo Lundén
- Published in print:
- 2021
- Published Online:
- January 2022
- ISBN:
- 9781474461801
- eISBN:
- 9781399501576
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474461801.001.0001
- Subject:
- Film, Television and Radio, Film
The Academy Awards’ red-carpet is the most prominent fashion show in media culture. This book investigates the historical liaison between Hollywood and fashion institutions to describe how public ...
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The Academy Awards’ red-carpet is the most prominent fashion show in media culture. This book investigates the historical liaison between Hollywood and fashion institutions to describe how public relations campaigns and the media articulated fashion discourses around the Oscars throughout history. It argues that the fashion industry’s business model of celebrity endorsement and renowned designers as branded labels is based on the triangulation done by Hollywood studios, department stores, and American garment manufacturers during the interwar era. Departing from archival sources, and tracing discourses of fashion, stardom, and celebrity around Hollywood and the Oscars, this study unravels this phenomenon’s cultural, political and economic impact, explaining how the Academy Awards’ red-carpet became a marquee for the global endorsement of high-end fashion brands.
The book addresses globalisation as a central topic to frame the red-carpet phenomenon, linking the fashion and media industries throughout the 20th Century. It points at the postwar as a historical turning point that consolidated the position of the United States as a veritable behemoth exporter of popular culture, depicting the American lifestyle as synonymous with wealth and comfort to further the global expansion of consumer culture. The book identifies power shift towards television, the emergence of celebrity culture, the post-war reactivation of transatlantic trade, the growth of fashion journalism, and the increasing circulation of designer names in the media as a series of converging factors that led to the institutionalisation of the red-carpet parade as a fashion event in its own right.Less
The Academy Awards’ red-carpet is the most prominent fashion show in media culture. This book investigates the historical liaison between Hollywood and fashion institutions to describe how public relations campaigns and the media articulated fashion discourses around the Oscars throughout history. It argues that the fashion industry’s business model of celebrity endorsement and renowned designers as branded labels is based on the triangulation done by Hollywood studios, department stores, and American garment manufacturers during the interwar era. Departing from archival sources, and tracing discourses of fashion, stardom, and celebrity around Hollywood and the Oscars, this study unravels this phenomenon’s cultural, political and economic impact, explaining how the Academy Awards’ red-carpet became a marquee for the global endorsement of high-end fashion brands.
The book addresses globalisation as a central topic to frame the red-carpet phenomenon, linking the fashion and media industries throughout the 20th Century. It points at the postwar as a historical turning point that consolidated the position of the United States as a veritable behemoth exporter of popular culture, depicting the American lifestyle as synonymous with wealth and comfort to further the global expansion of consumer culture. The book identifies power shift towards television, the emergence of celebrity culture, the post-war reactivation of transatlantic trade, the growth of fashion journalism, and the increasing circulation of designer names in the media as a series of converging factors that led to the institutionalisation of the red-carpet parade as a fashion event in its own right.
Robbie Moore
- Published in print:
- 2021
- Published Online:
- January 2022
- ISBN:
- 9781474456654
- eISBN:
- 9781399501934
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474456654.001.0001
- Subject:
- Literature, Criticism/Theory
Hotel Modernity explores the impact of corporate space on the construction and texture of modern literature and film. It centres the hotel and corporate space as key sites of modern experience and ...
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Hotel Modernity explores the impact of corporate space on the construction and texture of modern literature and film. It centres the hotel and corporate space as key sites of modern experience and culture. Examining architectural and financial records, hotel trade journals, travel journalism, advertisements and cinematic and literary representations, it charts the rise of hotel culture from 1870 to 1939. The book defines corporate space as the new urban, capital-intensive, large-scale spaces brought about by corporations during the nineteenth century, including department stores, railway stations and banking halls. Only in hotels, however, did the individual live within corporate space: sleeping in its beds and lounging in its parlours. The hotel structured intimate encounters with the impersonal and the anonymous, representing a radically new mode of experience.
In chapters featuring readings of both canonical and relatively little-studied texts by Henry James, F. Scott Fitzgerald, Elizabeth Bowen, Arnold Bennett, and Henry Green, alongside films by F. W. Murnau, Segundo de Chomón, and Charlie Chaplin, Hotel Modernity considers the relationship between new kinds of spatial organisation and new forms of subjective and intersubjective life. Hotels provoked these writers and filmmakers to rethink the conventions and functions of fictional characters. This book charts the warping and decentring of the category of ‘character’ within the corporate, architectural, informatic and technological networks which come to define hotel space in this period.Less
Hotel Modernity explores the impact of corporate space on the construction and texture of modern literature and film. It centres the hotel and corporate space as key sites of modern experience and culture. Examining architectural and financial records, hotel trade journals, travel journalism, advertisements and cinematic and literary representations, it charts the rise of hotel culture from 1870 to 1939. The book defines corporate space as the new urban, capital-intensive, large-scale spaces brought about by corporations during the nineteenth century, including department stores, railway stations and banking halls. Only in hotels, however, did the individual live within corporate space: sleeping in its beds and lounging in its parlours. The hotel structured intimate encounters with the impersonal and the anonymous, representing a radically new mode of experience.
In chapters featuring readings of both canonical and relatively little-studied texts by Henry James, F. Scott Fitzgerald, Elizabeth Bowen, Arnold Bennett, and Henry Green, alongside films by F. W. Murnau, Segundo de Chomón, and Charlie Chaplin, Hotel Modernity considers the relationship between new kinds of spatial organisation and new forms of subjective and intersubjective life. Hotels provoked these writers and filmmakers to rethink the conventions and functions of fictional characters. This book charts the warping and decentring of the category of ‘character’ within the corporate, architectural, informatic and technological networks which come to define hotel space in this period.
Hannah-Lena Hagemann
- Published in print:
- 2021
- Published Online:
- January 2022
- ISBN:
- 9781474450881
- eISBN:
- 9781399501781
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474450881.001.0001
- Subject:
- History, Middle East History
The Khārijites are perhaps the most notorious rebels of early Islamic history. The Islamic tradition portrays them as a heretical movement of militant zealots, a notion largely reiterated by modern ...
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The Khārijites are perhaps the most notorious rebels of early Islamic history. The Islamic tradition portrays them as a heretical movement of militant zealots, a notion largely reiterated by modern scholarship on this phenomenon, which is both surprisingly scarce and largely concerned with historical Khārijism ‘as it really was’.
In contrast, this book provides the first comprehensive literary analysis of the early years of Khārijite history (c657-705 CE) as depicted in 9th- and 10th-century CE Islamic historiography. It purposefully moves away from positivist reconstructions and instead examines the narrative role and function of Khārijism in early Islamic historical writing. Two main arguments are advanced: first, that there is little narrative substance to the Khārijites as they are described in the selected sources; and second, that Islamic historiography does not approach Khārijism as an end in itself, but as a tool with which to discuss other issues.
By exploring the manifold purposes of telling stories about these so-called heretics and rebels, the book thus provides a fresh perspective on early Khārijism and contributes to the study of how historical memory was created in the early Islamic period. Above all, the analysis highlights the need for a serious reassessment of the historical phenomenon of Khārijism as it is currently understood in scholarship.Less
The Khārijites are perhaps the most notorious rebels of early Islamic history. The Islamic tradition portrays them as a heretical movement of militant zealots, a notion largely reiterated by modern scholarship on this phenomenon, which is both surprisingly scarce and largely concerned with historical Khārijism ‘as it really was’.
In contrast, this book provides the first comprehensive literary analysis of the early years of Khārijite history (c657-705 CE) as depicted in 9th- and 10th-century CE Islamic historiography. It purposefully moves away from positivist reconstructions and instead examines the narrative role and function of Khārijism in early Islamic historical writing. Two main arguments are advanced: first, that there is little narrative substance to the Khārijites as they are described in the selected sources; and second, that Islamic historiography does not approach Khārijism as an end in itself, but as a tool with which to discuss other issues.
By exploring the manifold purposes of telling stories about these so-called heretics and rebels, the book thus provides a fresh perspective on early Khārijism and contributes to the study of how historical memory was created in the early Islamic period. Above all, the analysis highlights the need for a serious reassessment of the historical phenomenon of Khārijism as it is currently understood in scholarship.
Elizabeth Amann and Michael Boyden (eds)
- Published in print:
- 2021
- Published Online:
- January 2022
- ISBN:
- 9781474481588
- eISBN:
- 9781399501866
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474481588.001.0001
- Subject:
- Literature, Criticism/Theory
Cutting across disciplines and linguistic borders, this book highlights revolutionary moments in Europe, the United States and the Caribbean between the mid-eighteenth century and the revolutions of ...
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Cutting across disciplines and linguistic borders, this book highlights revolutionary moments in Europe, the United States and the Caribbean between the mid-eighteenth century and the revolutions of 1848. Its chapters adopt transnational approaches to revolution to show how political uprisings often reverberated far beyond the borders of the states directly affected in the form of narratives, metaphors, translations, letters, pamphlets and dialogues, as well as physical objects.Less
Cutting across disciplines and linguistic borders, this book highlights revolutionary moments in Europe, the United States and the Caribbean between the mid-eighteenth century and the revolutions of 1848. Its chapters adopt transnational approaches to revolution to show how political uprisings often reverberated far beyond the borders of the states directly affected in the form of narratives, metaphors, translations, letters, pamphlets and dialogues, as well as physical objects.
Trevor Boffone and Carla Della Gatta (eds)
- Published in print:
- 2021
- Published Online:
- January 2022
- ISBN:
- 9781474488488
- eISBN:
- 9781399501972
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474488488.001.0001
- Subject:
- Literature, Shakespeare Studies
Shakespeare and Latinidad is a curated collection of scholarly and practitioner essays in the field of Latinx theatre that specifically focuses on adaptations and appropriations of Shakespeare’s ...
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Shakespeare and Latinidad is a curated collection of scholarly and practitioner essays in the field of Latinx theatre that specifically focuses on adaptations and appropriations of Shakespeare’s plays. It is the first truly comprehensive treatment of the myriad intersections of Latinx practitioners and art with Shakespearean performance, adaptation, and pedagogy. The collection includes leading academics, playwrights, and theatre practitioners; its blend of scholarly essays, practitioner essays, and interviews reflects the transdisciplinary synthesis of scholarship, dramaturgy, and pedagogy that shapes Latinx engagement with Shakespeare. The collection brings together the diverse voices working in this field today including leading academics, playwrights and theatre practitioners. This blend of essays and interviews reflects the transdisciplinary synthesis of scholarship, dramaturgy, and pedagogy that shapes Latinx engagement with Shakespeare. The collection includes essays and dialogues from actors, directors, scholars, playwrights, and vocal coaches. Essays cover a range of topics that include translating Shakespeare into contemporary English, Latinx actors portraying Shakespearean roles as either Latinx or non-Latinx, strategies for engagement for devised theatre and theatre for young audiences, directors’ Latinx visions for Shakespeare, and scholarly analysis of productions, adaptations, and initiatives for Latinx Shakespeares. The collection highlights productions, adaptations, and theatres from throughout the United States, in large cities and rural areas, from predominantly-white theatres to theatres of colour.Less
Shakespeare and Latinidad is a curated collection of scholarly and practitioner essays in the field of Latinx theatre that specifically focuses on adaptations and appropriations of Shakespeare’s plays. It is the first truly comprehensive treatment of the myriad intersections of Latinx practitioners and art with Shakespearean performance, adaptation, and pedagogy. The collection includes leading academics, playwrights, and theatre practitioners; its blend of scholarly essays, practitioner essays, and interviews reflects the transdisciplinary synthesis of scholarship, dramaturgy, and pedagogy that shapes Latinx engagement with Shakespeare. The collection brings together the diverse voices working in this field today including leading academics, playwrights and theatre practitioners. This blend of essays and interviews reflects the transdisciplinary synthesis of scholarship, dramaturgy, and pedagogy that shapes Latinx engagement with Shakespeare. The collection includes essays and dialogues from actors, directors, scholars, playwrights, and vocal coaches. Essays cover a range of topics that include translating Shakespeare into contemporary English, Latinx actors portraying Shakespearean roles as either Latinx or non-Latinx, strategies for engagement for devised theatre and theatre for young audiences, directors’ Latinx visions for Shakespeare, and scholarly analysis of productions, adaptations, and initiatives for Latinx Shakespeares. The collection highlights productions, adaptations, and theatres from throughout the United States, in large cities and rural areas, from predominantly-white theatres to theatres of colour.
Kenneth Chan and Andrew Stuckey (eds)
- Published in print:
- 2021
- Published Online:
- January 2022
- ISBN:
- 9781474460842
- eISBN:
- 9781399501644
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474460842.001.0001
- Subject:
- Film, Television and Radio, Film
Although Chinese film audiences, including those in the PRC, Taiwan and Hong Kong, have always maintained a foundational cultural interest in the fantastic, this trend has dramatically increased over ...
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Although Chinese film audiences, including those in the PRC, Taiwan and Hong Kong, have always maintained a foundational cultural interest in the fantastic, this trend has dramatically increased over the last decade. Sino-Enchantment is the first work in English to approach this recent explosion of fantastic films in Chinese cinemas, where each re-envisioning of the form is determined by cultural, economic, political and technological factors to produce fresh inventions and creative reinventions of familiar narratives, characters and tropes. As a whole, the book argues that fantastic cinemas serve a fundamental function of re-enchanting mundane modern society with wonder and awe. Individual chapters present detailed examinations of works by famous filmmakers such as Zhang Yimou, Tsui Hark and Stephen Chow, as well as case studies of films like The Assassin (2015), Monster Hunt (2015) and The Great Wall (2016). The book focuses on a range of cinematic forms, practices and themes, which include blockbuster films, art cinema, exploitation B-movies, digital effects, ecocinema, film blanc and contemporary adaptations of traditional Chinese classics. Sino-enchantment functions as a new theoretical lens through which readers can engage with elements of the fantastic in Chinese cinema in nuanced, complex and innovative ways.Less
Although Chinese film audiences, including those in the PRC, Taiwan and Hong Kong, have always maintained a foundational cultural interest in the fantastic, this trend has dramatically increased over the last decade. Sino-Enchantment is the first work in English to approach this recent explosion of fantastic films in Chinese cinemas, where each re-envisioning of the form is determined by cultural, economic, political and technological factors to produce fresh inventions and creative reinventions of familiar narratives, characters and tropes. As a whole, the book argues that fantastic cinemas serve a fundamental function of re-enchanting mundane modern society with wonder and awe. Individual chapters present detailed examinations of works by famous filmmakers such as Zhang Yimou, Tsui Hark and Stephen Chow, as well as case studies of films like The Assassin (2015), Monster Hunt (2015) and The Great Wall (2016). The book focuses on a range of cinematic forms, practices and themes, which include blockbuster films, art cinema, exploitation B-movies, digital effects, ecocinema, film blanc and contemporary adaptations of traditional Chinese classics. Sino-enchantment functions as a new theoretical lens through which readers can engage with elements of the fantastic in Chinese cinema in nuanced, complex and innovative ways.
Ramon Harvey
- Published in print:
- 2021
- Published Online:
- January 2022
- ISBN:
- 9781474451642
- eISBN:
- 9781399501767
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474451642.001.0001
- Subject:
- Religion, Islam
This book is a constructive theological work that builds on the Māturīdī tradition of kalām, which is one of the main schools of Sunnī theology in Islam. It advances scholarship in three main ...
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This book is a constructive theological work that builds on the Māturīdī tradition of kalām, which is one of the main schools of Sunnī theology in Islam. It advances scholarship in three main respects. First, it provides a detailed treatment of the system of Abū Manṣūr al-Māturīdī (d. 333/944), a Ḥanafī theologian from Samarqand. This includes discussion of his epistemology, ontology, natural theology, and his treatment of the divine nature and several key attributes: omniscience, wisdom, creative action and speech. Second, the book analyses the development of the Māturīdī tradition after the lifetime of al-Māturīdī and into the classical period. There is a focus on unearthing underappreciated material from his immediate successors in Samarqand, as well as explaining the changes that emerge in the classical school, especially through its dialogue with Ashʿarism. Third, the book draws on the resources of the Māturīdī tradition to develop an original contemporary Islamic theology. This aspect pays special attention to the phenomenological tradition founded by Edmund Husserl, and to contemporary analytic philosophy of religion and Christian philosophical theology. The result is a unique proposal for a renewed Islamic theology that seeks a creative synthesis between the premodern Islamic tradition and elements of modern thought.Less
This book is a constructive theological work that builds on the Māturīdī tradition of kalām, which is one of the main schools of Sunnī theology in Islam. It advances scholarship in three main respects. First, it provides a detailed treatment of the system of Abū Manṣūr al-Māturīdī (d. 333/944), a Ḥanafī theologian from Samarqand. This includes discussion of his epistemology, ontology, natural theology, and his treatment of the divine nature and several key attributes: omniscience, wisdom, creative action and speech. Second, the book analyses the development of the Māturīdī tradition after the lifetime of al-Māturīdī and into the classical period. There is a focus on unearthing underappreciated material from his immediate successors in Samarqand, as well as explaining the changes that emerge in the classical school, especially through its dialogue with Ashʿarism. Third, the book draws on the resources of the Māturīdī tradition to develop an original contemporary Islamic theology. This aspect pays special attention to the phenomenological tradition founded by Edmund Husserl, and to contemporary analytic philosophy of religion and Christian philosophical theology. The result is a unique proposal for a renewed Islamic theology that seeks a creative synthesis between the premodern Islamic tradition and elements of modern thought.
Ian Calvert
- Published in print:
- 2021
- Published Online:
- January 2022
- ISBN:
- 9781474475648
- eISBN:
- 9781399501897
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474475648.001.0001
- Subject:
- Literature, Criticism/Theory
This book considers the writers who translated Virgil into English during the civil wars, Interregnum and early years of the Stuart Restoration (c. 1636–c. 1661). It argues that these writers ...
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This book considers the writers who translated Virgil into English during the civil wars, Interregnum and early years of the Stuart Restoration (c. 1636–c. 1661). It argues that these writers translated and imitated Virgil in order to display and interrogate their political loyalties, articulate personal responses to past traumas, draw attention to the contingent nature of the systems of government which followed the death of Charles I in 1649 (particularly Oliver Cromwell’s Protectorate) and express their hopes for the country’s future. This future often, but not invariably, imagined a restored Stuart monarchy under Charles II, and all of the translators in this period spent time in royal service or were associated with the royalist cause. Their writings, however, demonstrate that royalism encompassed a wide variety of opinions, some of which emphasised a sense of duty to an individual or dynasty, but others were more committed to monarchy as an institution or to monarchical forms of government. This book also situates the translations within each author’s wider body of work in order to identify further political resonances in their individual receptions of Virgil and illuminate Virgil’s broader status and cultural function in the period.Less
This book considers the writers who translated Virgil into English during the civil wars, Interregnum and early years of the Stuart Restoration (c. 1636–c. 1661). It argues that these writers translated and imitated Virgil in order to display and interrogate their political loyalties, articulate personal responses to past traumas, draw attention to the contingent nature of the systems of government which followed the death of Charles I in 1649 (particularly Oliver Cromwell’s Protectorate) and express their hopes for the country’s future. This future often, but not invariably, imagined a restored Stuart monarchy under Charles II, and all of the translators in this period spent time in royal service or were associated with the royalist cause. Their writings, however, demonstrate that royalism encompassed a wide variety of opinions, some of which emphasised a sense of duty to an individual or dynasty, but others were more committed to monarchy as an institution or to monarchical forms of government. This book also situates the translations within each author’s wider body of work in order to identify further political resonances in their individual receptions of Virgil and illuminate Virgil’s broader status and cultural function in the period.
Affect and Attention After Deleuze and Whitehead
American Snobs
Cinematic Realism
Contemporary Balkan Cinema
Contemporary Hollywood Animation
The Cultural Memory of Georgian Glasgow
The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature
The Edinburgh History of the British and Irish Press, Volume 3
Elizabeth Bowen's Psychoanalytic Fiction
