Aaron, Michele (2007), Spectatorship: The Power of Looking On, London: Wallflower.
Aaron, Michele (2014), Death and the Moving Image: Ideology, Iconography and I, Edinburgh: Edinburgh University Press.
ABIM Foundation, ACP-ASIM Foundation and European Federation of Internal Medicine (2002), ‘Medical Professionalism in the New Millennium: A Physician Charter’, Annals of Internal Medicine, 136, 243–6.
Adams, Rachel (2001), Sideshow USA: Freaks and the American Cultural Imagination, Chicago: Chicago University Press.
Ahmed, Sara (2000), Strange Encounters: Embodied Others in Post-Coloniality, London: Routledge.
Alarcón, Wilson Astudillo, and Carmen Mendinueta Aguirre (2007), ‘The Cinema in the Teaching of Medicine: Palliative Care and Bioethics’, Journal of Medicine and Movies, 1, 32–41.
Alter, Nora M. (1997), ‘Documentary as Simulacrum; Tokyo-Ga’, in Roger F. Cool and Gerd Gemünden (eds), The Cinema of Wim Wenders: Image, Narrative and the Postmodern Condition, Detroit: Wayne State University Press, 1997, pp. 136–62.
Animated Minds (2014), Mosaic Films, <http://animatedminds.com/the_concept/> (last accessed 27 July 2015).
Anzaldúa, Gloria (1999), Borderlands/La Frontera: The New Mestiza, San Francisco: Aunt Lute.
Arthurs, Deborah (2012), ‘Cancer Survivor’s Inspirational Mastectomy Photos BANNED by Facebook for Being “Pornographic” ’, Daily Mail online, <http://www.dailymail.co.uk/femail/article–2148029/Cancer-survivors-mastectomy-photos-BANNED-Facebook-pornographic.html> (last accessed 27 July 2015).
Atkinson, Paul (2009), ‘Illness Narrative Revisited: The Failure of Narrative Reductionism’, Sociological Research Online, 14: 5, <http://www.socresonline.org.uk/14/5/16.html> (last accessed 27 July 2015).
Atkinson, Sarah, Bethan Evans, Angela Woods and Robin Kearns (2015), ‘ “The Medical” and “Health” in a Critical Medical Humanities’, Journal of Medical Humanities, 36, 71–81.
(p.224) Auton, Emilie (2013), ‘ “Playing Doctor”: Learning about Intimate Examinations in Medical School’, Global Medical Humanities, Association for Medical Humanities Annual Conference, 8–10 July 2013, Aberdeen.
Bailes, Sara Jane (2011), Performance Theatre and the Poetics of Failure: Forced Entertainment, Goat Island, Elevator Repair Service, Abingdon: Routledge.
Bazin, André (2005), What Is Cinema? Essays Selected and Translated by Hugh Gray, Vol. 1, Berkeley: University of California Press.
Bell, Alice, Astrid Ensslin and Hans Rustad (eds) (2013), Analyzing Digital Fiction, London: Routledge.
Belling, Catherine (2012), ‘A Happy Doctor’s Escape from Narrative: Reflection in Saturday’, Medical Humanities, 38, 2–6.
Benjamin, Walter (2002), ‘The Storyteller’, in Howard Eiland and Michael W. Jennings (eds), Walter Benjamin: Selected Writing, Vol. 3 1935–1938, Cambridge, MA: Harvard University Press, pp. 143–66.
Berlant, Lauren (2001), ‘Trauma and Ineloquence’, Cultural Values, 5: 1, 41–58.
Berlant, Lauren (2007), ‘On the Case’, Critical Inquiry, 33: 4, 663–72.
Best, Clare (2011), Excisions, Hove: Waterloo Press.
Best, Clare (2013), ‘Attentive Writers’: Healthcare, Authorship, and Authority, University of Glasgow, 23–5 August 2013, <http://selfportraitwithoutbreasts.wordpress.com/2013/08/28/attentive-writers-healthcare-authorship-and-authority/> (last accessed 27 July 2015).
Best, Clare (2014), ‘Part 2: On Scars and Memories’, guest post, BMJ Medical Humanities blog, 21 April 2014, <http://blogs.bmj.com/medical-humanities/2014/04/21/guest-blog-post-by-poet-and-writer-clare-best-part–2-on-scars-and-memories/> (last accessed 27 July 2015).
Bielanko, Monica (2013), ‘Life, Death, Love and Loss in 140 Characters: It’s Time to Look at Twitter in a New Light’, <http://www.babble.com/mom/life-death-love-and-loss-in-140-characters-its-time-to-look-at-twitter-in-a-new-light/> (last accessed 27 July 2015).
Blanchot, Maurice (1995), The Writing of the Disaster, trans. Ann Smock, Lincoln, NE: University of Nebraska Press.
Bleakley, Alan (2013), ‘Transitions in Health Humanities–Towards a “Critical” Health Humanities that Embraces Beauty’, in Lianne McTavish and Pamela Brett MacLean (eds), Insight 2: Engaging the Health Humanities, Alberta: University of Alberta, pp. 10–14.
Bleakley, Alan (2014a), ‘Towards A “Critical Medical Humanities” ’, in Victoria Bates, Alan Bleakley and Sam Goodman (eds), Medicine, Health and the Arts: Approaches to the Medical Humanities, London: Routledge, pp. 17–26.
Bleakley, Alan (2014b), ‘The Medical Humanities in Medical Education’, in Therese Jones, Delese Wear and Lester D. Friedman (eds), Health Humanities Reader, New Brunswick, NJ: Rutgers University Press, pp. 501–10.
(p.225) Bleakley, Alan (2015), Medical Humanities and Medical Education: How the Medical Humanities Can Shape Better Doctors, London: Routledge.
Bleakley, Alan, Robert Marshall and Rainer Brömer (2006), ‘Toward an Aesthetic Medicine: Developing a Core Medical Humanities Undergraduate Curriculum’, Journal of Medical Humanities, 27, 197–213.
Bleakley, Alan, and Robert J. Marshall (2012), ‘The Embodiment of Lyricism in Medicine and Homer’, Medical Humanities, 38: 1, 50–4.
Boateng, Beatrice A., and Erik Black (2012), Social Media in Medicine: The Impact of Online Social Networks on Contemporary Medicine, Stillwater, OK: New Forums Press.
Bolaki, Stella (2011a), ‘Challenging Invisibility, Making Connections: Illness, Survival, and Black Struggles in Audre Lorde’s Work’, in Christopher M. Bell (ed.), Blackness and Disability: Critical Examinations and Cultural Interventions, Münster: Lit Verlag, pp. 47–74.
Bolaki, Stella (2011b), Unsettling the Bildungsroman: Reading Contemporary Ethnic American Women’s Fiction, Amsterdam: Rodopi.
Bolaki, Stella (2013), ‘Illness and Transatlantic Sisterhoods in Audre Lorde’s “A Burst of Light: Living with Cancer” ’, Symbiosis: a Journal of Anglo-American Literary Relations, 17: 1, 3–20.
Bolaki, Stella (2014), Skype interview with Andy Glynne, 7 February 2014, unpublished.
Bordo, Susan (1993), Unbearable Weight: Feminism, Western Culture, and the Body, Berkeley: University of California Press.
Bost, Suzanne (2010), Encarnación: Illness and Body Politics in Chicana Feminist Literature, New York: Fordham University Press.
Bouldin, Joanna (2000), ‘Bodacious Bodies and the Voluptuous Gaze: A Phenomenology of Animation Spectatorship’, Animation Journal, 8, 56–67.
Bouldin, Joanna (2004), ‘Cadaver of the Real: Animation, Rotoscoping and the Politics of the Body’, Animation Journal, 12, 7–31.
Bow, Leslie (2001), Betrayal and Other Acts of Subversion: Feminism, Sexual Politics, Asian American Women’s Literature, Princeton: Princeton University Press.
Bracken, Patrick, and Philip Thomas (2005), Postpsychiatry: Mental Health in a Postmodern World, Oxford: Oxford University Press.
Brody, Howard (2002), Stories of Sickness, Oxford: Oxford University Press.
Brody, Howard (2011), ‘Defining the Medical Humanities: Three Conceptions and Three Narratives’, Journal of Medical Humanities, 32, 1–7.
Brodzinski, Emma (2010), Theatre in Health and Care, Basingstoke: Palgrave.
Brodzinski, Emma (2014), ‘Performance Anxiety’, in Victoria Bates, Alan Bleakley and Sam Goodman (eds), Medicine, Health and the Arts: Approaches to the Medical Humanities, London: Routledge, pp. 166–85.
Bronfen, Elizabeth (1992), Over Her Dead Body: Death, Femininity and the Aesthetic, Manchester: Manchester University Press.
(p.226) Brown, Kate H., and Diane Gillespie (1997), ‘ “We Become Brave by Doing Brave Acts”: Teaching Moral Courage through the Theater of the Oppressed’, Literature and Medicine, 16: 1, 108–20.
Broyard, Anatole (1992), ‘The Patient Examines the Doctor’, in Intoxicated by My Illness and Other Writings on Life and Death, New York: Fawcett Columbine, pp. 31–58.
Bruzzi, Stella (2006), New Documentary: A Critical Introduction, New York: Routledge.
Buckman, Robert, and Tereza Whittaker (2000), What You Really Need to Know about Breast Cancer, New York: Lebhar-Friedman.
Burgin, Victor (ed.) (1982), Thinking Photography, London: Macmillan.
Burnett, Ron (1981), ‘Wim Wenders, Nicholas Ray and Lightning over Water’, Ciné-Tracts: A Journal of Film and Cultural Studies, 14, 11–14, <http://library.brown.edu/cds/cinetracts/CT14–15.pdf> (last accessed 27 July 2015).
Bury, Stephen (1995), Artists’ Books: The Book as a Work of Art, 1963–1995, Aldershot: Scolar Press.
Campo, Rafael (1996), What the Body Told, Durham, NC: Duke University Press.
Campo, Rafael (1997), The Desire to Heal: A Doctor’s Education in Empathy, Identity, and Poetry, New York: Norton.
Carel, Havi (2008), Illness: The Cry of the Flesh, Stocksfield: Acumen.
Carel, Havi, and Rachel Cooper (eds) (2012), Health, Illness and Disease: Philosophical Essays, Durham: Acumen.
Carnell, Simon (2010), Hare, London: Reaktion.
Cartwright, Lisa (1995), Screening the Body: Tracing Medicine’s Visual Culture, Minneapolis: University of Minnesota Press.
Cartwright, Lisa (2000), ‘Community and the Public Body in Breast Cancer Media Activism’, in Janine Marchessault and Kim Sawchuk (eds), Wild Science: Reading Feminism, Medicine, and the Media, London: Routledge, pp. 120–38.
Caruth, Cathy (ed.) (1995), Trauma: Explorations in Memory, Baltimore: Johns Hopkins University Press.
Casilli, Antonio (2012), ‘Open Cure: When Digital Humanities Meet Medical Humanities’, BodySpaceSociety, A Blog for Recovering Social Scientists, 2 October 2012, <http://www.bodyspacesociety.eu/2012/10/02/open-cure/> (last accessed 27 July 2015).
Centre for Medical Humanities, Durham University (2011), ‘Medical Humanities as Disruptive Teenager–A Response to Brody’, 23 February 2011, Centre for Medical Humanities Blog, <http://centreformedicalhu-manities.org/medical-humanities-as-disruptive-teenager-a-response-to-brody/> (last accessed 27 July 2015).
Chabram-Dernersesian, Angie, and Adela de la Torre (eds) (2008), Speaking from the Body: Latinas on Health and Culture, Tuscon: University of Arizona Press.
(p.227) Chanter, Tina (ed.) (2001), Feminist Interpretations of Emmanuel Levinas, University Park: Pennsylvania State University Press.
Charon, Rita (2006), Narrative Medicine: Honoring the Stories of Illness, New York: Oxford University Press.
Chion, Michel (1999), The Voice in Cinema, ed. and trans. Claudia Gorbman, New York: Columbia University Press.
Chopra, Arun K., and Gillian Doody (2007), ‘Schizophrenia, an Illness and a Metaphor: Analysis of the Use of the Term “Schizophrenia” in the UK National Newspapers’, Journal of the Royal Society of Medicine, 100: 9, 423–6.
Clark, Mary Marshall (2005), ‘Holocaust Video Testimony, Oral History, and Narrative Medicine: The Struggle against Indifference’, Literature and Medicine, 24: 2, 266–82.
Cohen, Jordan J. (2007), ‘Linking Professionalism to Humanism: What It Means, Why It Matters’, Academic Medicine, 82: 11, 1029–32.
Conway, Kathlyn (2007), Beyond Words: Illness and the Limits of Expression, Albuquerque: University of New Mexico Press.
Cool, Roger F., and Gerd Gemünden (eds) (1997), The Cinema of Wim Wenders: Image, Narrative and the Postmodern Condition, Detroit: Wayne State University Press.
Corrigan, Timothy (1985), ‘Cinematic Snuff: German Friends and Narrative Murders’, Cinema Journal, 24: 2, 9–18.
Costa, Lucy, Jijian Voronka, Danielle Landry, Jenna Reid, Becky Mcfarlane, David Reville and Kathryn Church (2012), ‘Recovering Our Stories: A Small Act of Resistance’, Studies in Social Justice, 6: 1, 85–101.
Coulehan, Jack (2007), ‘Written Role Models in Professionalism Education’, Medical Humanities, 33: 2, 106–9.
Couser, Thomas G. (1997), Recovering Bodies: Illness, Disability, and Life-Writing, Madison: University of Wisconsin Press.
Couser, Thomas G. (1998), ‘Making, Taking, and Faking Lives: The Ethics of Collaborative Life Writing’, Style, 32: 2, 334–50.
Couser, Thomas G. (2004), Vulnerable Subjects: Ethics and Life Writing, Ithaca, NY: Cornell University Press.
Couser, Thomas G. (2009), Signifying Bodies: Disability in Contemporary Life Writing, Ann Arbor: University of Michigan Press.
Couser, Thomas G. (2012), Memoir: An Introduction, Oxford: Oxford University Press.
Crawford, Paul, Brian Brown, Charley Baker, Victoria Tischler and Brian Adams (2015), Health Humanities, Basingstoke: Palgrave Macmillan.
Croce, Arlene (1994/5), ‘Discussing the Undiscussable’, The New Yorker, 26 December–2 January 1994/5, 54–60.
Cvetkovich, Ann (2012), Depression, Durham, NC: Duke University Press.
Darbyshire, Daniel, and Paul Baker (2012), ‘A Systematic Review and Thematic Analysis of Cinema in Medical Education’, Medical Humanities, 38, 28–33.
Debney, Patricia (2011), ‘Waving and Drowning: Writing, Our Family and Type 1 Diabetes’, blog, <http://wavingdrowning.wordpress.com/> (last accessed 27 July 2015).
Deloney, Linda, and James Graham (2003), ‘Wit: Using Drama to Teach First-year Medical Students about Empathy and Compassion’, Teaching and Learning Medicine, 15: 4, 247–51.
Derrida, Jacques (1977), ‘Signature Event Context’, in Limited Inc, Evanston, IL: Northwestern University Press, pp. 1–24.
DeShazer, Mary K. (2013), Mammographies: The Cultural Discourses of Breast Cancer Narratives, Ann Arbor: The University of Michigan Press.
Diedrich, Lisa (2007), Treatments: Language, Politics, and the Culture of Illness, Minneapolis: University of Minnesota Press.
Dillon, Sarah (2005), ‘Reinscribing De Quincey’s Palimpsest: The Significance of the Palimpsest in Contemporary Literary and Cultural Studies’, Textual Practice, 19: 3, 243–63.
Dillon, Sarah (2007), The Palimpsest: Literature, Criticism, Theory, London: Bloomsbury.
Dooks, Chris (2013), ‘The M.E.thodologies of the Fragmented Filmmaker’, conference paper, Exhaustion, University of Kent, Canterbury, 25 October 2013.
Drucker, Johanna (1994), ‘Artists’ Books and the Cultural Status of the Book’, Journal of Communication, 44: 1, 12–42.
Drucker, Johanna (1998), Figuring the Word: Essays on Books, Writing and Visual Poetics, New York: Granary Books.
Drucker, Johanna (2004), The Century of Artists’ Books, New York: Granary Books.
Drucker, Johanna (2011), ‘Intimate Authority: Women, Books, and the Public–Private Paradox’, in Krystyna Wasserman (ed.), The Book as Art: Artists’ Books from the National Museum of Women in the Arts, New York: Princeton Architectural Press, pp. 14–17.
Dubriwny, Tasha N. (2013), The Vulnerable Empowered Woman: Feminism, Postfeminism, and Women’s Health, New Brunswick, NJ: Rutgers University Press.
Eakin, Paul (1999), How Our Lives Become Stories: Making Selves, Ithaca, NY: Cornell University Press.
Egan, Susanna (1999), Mirror Talk: Genres of Crisis in Contemporary Autobiography, Chapel Hill: University of North Carolina Press.
Ehrenreich, Barbara (2001), ‘Welcome to Cancerland’, Harper’s Magazine, 1 November 2001, pp. 43–53.
Ehrlich, Nea (2011), ‘Animated Documentaries as Masking’, Animation Studies Online Journal, 6, <http://journal.animationstudies.org/nea-ehrlich-animated-documentaries-as-masking/> (last accessed 27 July 2015).
(p.229) Elsey, Judy (1992), ‘The Rhetoric of the NAMES Project AIDS Quilt: Reading the Text(ile)’, in Emmanuel S. Nelson (ed.), AIDS: The Literary Perspective, New York: Twayne, pp. 187–96.
Epstein, Ronald M. (1999), ‘Mindful Practice’, Journal of the American Medical Association, 282: 9, 833–9.
Evans, Jessica (2000), ‘Photography’, in Fiona Carson and Claire Pajacz-kowska (eds), Feminist Visual Culture, Edinburgh: Edinburgh University Press, pp. 105–22.
Farmer, Paul (2005), Pathologies of Power: Health, Human Rights, and the New War on the Poor, Berkeley: University of California Press.
Farmer, Paul (2013), To Repair the World: Paul Farmer Speaks to the Next Generation, Berkeley: University of California Press.
Felman, Shoshana, and Dori Laub (1992), Testimony: Crisis of Witnessing in Literature, Psychoanalysis, and History, New York: Routledge.
Felski, Rita (2008), Uses of Literature, Malden: Blackwell.
Fennell, Dana, and Ana S. Q. Libera (2007), ‘Learning to Live with OCD: Labeling, the Self, and Stigma’, Deviant Behavior, 28: 4, 305–31.
Fernández-Morales, Marta (2012), ‘ “We Are Not the Same Person”: (Auto) Biography, (Self)Representation, and Brechtian Performativity in Lisa Kron’s Well’, Revista de Estudios Norteamericanos, 16, 45–62.
Foucault, Michel  (1995), Discipline and Punish: The Birth of the Prison, trans. Alan Sheridan, New York: Vintage.
Foucault, Michel (1989), The Birth of the Clinic: An Archaeology of Medical Perception, trans. A. M. Sheridan, Abingdon: Routledge.
Foucault, Michel (1998), ‘Technologies of the Self’, in Luther H. Martin, Huck Gutman and Patrick H. Hutton (eds), Technologies of the Self: A Seminar with Michel Foucault, Amherst: University of Massachusetts Press, pp. 16–49.
Frank, Arthur (1995), The Wounded Storyteller: Body, Illness, and Ethics, Chicago: University of Chicago Press.
Frank, Arthur (1997), ‘Enacting Illness Stories: When, What and Why’, in Hilde Lindemann Nelson (ed.), Stories and Their Limits: Narrative Approaches to Bioethics, London: Routledge, pp. 31–49.
Frank, Arthur (2004), The Renewal of Generosity: Illness, Medicine, and How to Live, Chicago: University of Chicago Press.
Frank, Arthur (2007), Review of Rita Charon, Narrative Medicine: Honoring the Stories of Illness, Literature and Medicine, 26: 2, 408–12.
Frank, Arthur (2013), ‘Afterword: Endangered Storytelling’, in The Wounded Storyteller: Body, Illness, and Ethics, second edition, Chicago: University of Chicago Press, pp. 187–221.
Freeman, Mark (2008), ‘Beyond Narrative: Dementia’s Tragic Promise’, in Lars-Christer Hydén and Jens Brockmeier (eds), Health, Illness and Culture: Broken Narratives, New York: Routledge, pp. 169–84.
Freud, Sigmund  (2003), The Uncanny, trans. David McLintock, London: Penguin.
(p.230) Friedman, Lester D. (1995), ‘See Me, Hear Me: Using Film in Health-Care Classes’, Journal of Medical Humanities, 16: 4, 223–8.
Friedman, Richard A. (2005), ‘Learning Words They Rarely Teach in Medical School: “I’m Sorry” ’, The New York Times, 26 July 2005, <http://www.nytimes.com/2005/07/26/science/26essa.html> (last accessed 27 July 2015).
Fusco, Coco (2001), The Bodies That Were Not Ours and Other Writings, London: Routledge.
Garden, Rebecca (2007), ‘The Problem of Empathy: Medicine and the Humanities’, New Literary History, 38 (2007): 551–67.
Gardner, Lyn (2009), ‘Well’, Guardian, 6 January 2009, <http://www.theguardian.com/stage/2009/jan/06/theatre-review-well> (last accessed 27 July 2015).
Garland-Thomson, Rosemarie (1997), Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature, New York: Columbia University Press.
Garland-Thomson, Rosemarie (2009), Staring: How We Look, Oxford: Oxford University Press.
Gawande, Atul (2014), Being Mortal: Illness, Medicine and What Matters in the End, London: Profile Books.
Geist, Kathe (1981–2), ‘Review of Lightning over Water’, Film Quarterly, 35: 2, 46–51.
Geller, Matthew (1981), Difficulty Swallowing: A Medical Chronicle, New York: Works Press.
Gilman, Sander L. (1988), Disease and Representation: Images of Illness from Madness to AIDS, Ithaca, NY: Cornell University Press.
Giroux, Henry A. (2011), On Critical Pedagogy, New York: Continuum.
Glynne, Andy (2013), ‘Drawn from Life: The Animated Documentary’, in Brian Winston (ed.), The Documentary Film Book, Basingstoke: Palgrave, BFI, pp. 73–5.
Gómez-Peña, Guillermo (2001), ‘Chicano Interneta: The Search for Intelligent Life in Cyberspace’, Hopscotch: A Cultural Review, 2: 2, 80–91.
Gómez-Peña, Guillermo (2005), Ethno-Techno: Writings on Performance, Activism, and Pedagogy, New York: Routledge.
Gómez-Peña, Guillermo (2011), Conversations across Borders, ed. Laura Levin, London: Seagull Books.
Gómez-Peña, Guillermo (2014), ‘Gómez-Peña on Illness, the Human Body, Performance and Quantum Physics: A Psychomagic Script for a Hard Recovery’, TDR: The Drama Review, 58: 2, 149–62.
Green, Jesse (2004), ‘Theater: A One-Woman Show Learns to Share’, The New York Times, 21 March 2004, <http://www.nytimes.com/2004/03/21/arts/theater-a-one-woman-show-learns-to-share.html> (last accessed 27 July 2015).
Green, Michael J., and Kimberly R. Myers (2010), ‘Graphic Medicine: Use of Comics in Medical Education and Patient Care’, British Medical Journal, 340, 574–7.
Grigsby, Darcy Grimaldo (1991), ‘Dilemmas of Visibility: Contemporary Women Artists’ Representations of Female Bodies’, in Laurence Goldstein (p.231) (ed.), The Female Body: Figures, Styles, Speculations, Ann Arbor: University of Michigan Press, pp. 83–102.
Gurdon, Meghan Cox (2011), ‘Darkness Too Visible’, The Wall Street Journal, 4 June 2011, <http://online.wsj.com/news/articles/SB10001424052702303657404576357622592697038> (last accessed 27 July 2015).
Hall, Lynda (2000), ‘Passion(ate) Plays “Wherever We Found Space”: Lorde and Gomez Queer(y)ing Boundaries and Acting In’, Callaloo, 23: 1, 394–421.
Hall, Martha A. (2003), Holding In, Holding On, exhibition catalogue, Mortimer Rare Book Room, Smith College, Northampton, MA: Smith College/Herlin Press.
Hall, Martha A. (2004), I Make Books, film, dir. Hollis Haywood and Kari Wagner, Martha A. Hall Collection, Maine Women Writers Collection, Portland, ME: University of New England.
Hallas, Roger (2007), ‘Sound, Image and the Corporeal Implication of Witnessing in Derek Jarman’s Blue’, in Frances Guerin and Roger Hallas (eds), The Image and the Witness: Trauma, Memory and Visual Culture, London: Wallflower Press, pp. 37–51.
Hallas, Roger (2009), Reframing Bodies: AIDS, Bearing Witness, and the Queer Moving Image, Durham, NC: Duke University Press.
Hamilton, Rachel Segal (2012), ‘Mosaic Films’ Andy Glynne: Making Animated Documentaries’, 18 June 2012, <http://www.ideastap.com/ideasmag/the-knowledge/mosaic-films-andy-glynne> (last accessed 27 July 2015).
Hawkins, Anne Hunsaker (1999), Reconstructing Illness: Studies in Patho-graphy, West Lafayette, IN: Purdue University Press.
Hawkins, Katy (2006), ‘Woven Spaces: Eve Kosofsky Sedgwick’s Dialogue On Love’, Women & Performance: A Journal of Feminist Theory, 16: 2, 251–67.
Heddon, Deirdre (2008), Autobiography and Performance, Houndmills: Palgrave Macmillan.
Helck, Emily (2013), ‘Just Girls’, The Real, blog, 9 September 2013, <http://rtonj.blogspot.co.uk/search?updated-min=2013–01–01T00:00:00–05:00&updated-max=2014–01–01T00:00:00–05:00&max-results=50> (last accessed 27 July 2015).
Herman, David (ed.) (2007), The Cambridge Companion to Narrative, Cambridge: Cambridge University Press.
Herndl, Diane Price (2002), ‘Reconstructing the Posthuman Feminist Body Twenty Years after Audre Lorde’s Cancer Journals’, in Rosemarie Garland-Thomson, Brenda Brueggeman and Sharon Snyder (eds), Enabling the Humanities: A Sourcebook for Disability Studies in Language and Literature, New York: MLA, pp. 144–55.
Hesse, Monica (2013), ‘NPR’s Scott Simon takes Twitter to a New Frontier: His Mother’s Hospital Bed’, The Washington Post, 29 July 2013, <http://www.washingtonpost.com/lifestyle/style/nprs-scott-simon-takes-twitter-to-a-new-frontier-his-mothers-hospital-bed/2013/07/29/44cc67ea-f86f–11e2–8e84-c56731a202fb_story.html> (last accessed 27 July 2015).
(p.232) Hirsch, Marianne (1997), Family Frames: Photography, Narrative, and Postmemory, Cambridge, MA: Harvard University Press.
Hooker, Claire, and Estelle Noonan (2011), ‘Medical Humanities as Expressive of Western Culture’, Medical Humanities, 37, 79–84.
Höttges, Bärbel (2009), ‘Blogging the Pain: Grief in the Time of the Internet’, Gender Forum, 26, <http://www.genderforum.org/issues/literature-and-medicine-ii/blogging-the-pain/> (last accessed 27 July 2015).
Hubert, Renée Riese, and Judd D. Hubert (1999), The Cutting Edge of Reading: Artists’ Books, New York: Granary Books.
Hughley, Matty (2010), ‘Theater Review: Lisa Kron’s Well’, The Oregonian, 6 March 2010 <http://www.oregonlive.com/performance/index.ssf/2010/03/theater_review_lisa_krons_well.html> (last accessed 27 July 2015).
Hydén, Lars-Christer (2011), ‘Broken and Vicarious Voices in Narratives’, in Lars-Christer Hydén and Jens Brockmeier (eds), Health, Illness and Culture: Broken Narratives, New York: Routledge, pp. 36–53.
Hydén, Lars-Christer, and Jens Brockmeier (eds) (2011), Health, Illness and Culture: Broken Narratives, New York: Routledge.
Iaconesi, Salvatore (2012), ‘Hacker Diagnosed with Breast Cancer …’, Zone-H, <http://zone-h.org/news/id/4743> (last accessed 27 July 2015).
Ingram, Mathew (2013), ‘NPR Host’s Live-Tweeting of His Mother’s Last Moments Shows the Power of 140 Characters’, Gigaom, 29 July 2013, <http://gigaom.com/2013/07/29/npr-hosts-live-tweeting-of-his-mothers-last-moments-shows-the-power-of–140-characters/> (last accessed 27 July 2015).
Jacob, Clarissa, and Amy Tobin (2013), ‘Considering Her Final Project’, in Louisa Lee (ed.), Jo Spence: The Final Project, Manchester: Riding House, pp. 29–37.
Jacobsen, Torild, Anders Baerheim, Margret Rose Lepp and Edvin Schei (2006), ‘Analysis of Role-Play in Medical Communication Training Using a Theatrical Device The Fourth Wall’, BMC Medical Education, 6: 51, <http://www.biomedcentral.com/1472–6920/6/51> (last accessed 27 July 2015).
Jenkins, Henry (2006), ‘Welcome to Convergence Culture’, blog, <http://henryjenkins.org/2006/06/welcome_to_convergence_culture.html> (last accessed 27 July 2015).
Jodorowsky, Alejandro (2010), Psychomagic: The Transformative Power of Shamanic Psychotherapy, Rochester, VT: Inner Traditions.
Jones, Therese, Delese Wear and Lester D. Friedman (eds) (2014), Health Humanities Reader, New Brunswick, NJ: Rutgers University Press.
Jordanova, Ludmilla (2000), Defining Features: Scientific and Medical Portraits 1660–2000, London: Reaktion.
Jordanova, Ludmilla (2014), ‘Medicine and the Visual Arts’, in Victoria Bates, Alan Bleakley and Sam Goodman (eds), Medicine, Health and the Arts: Approaches to the Medical Humanities, London: Routledge, pp. 41–63.
(p.233) Jost, Jon (1981), ‘Wrong Move’, Sight and Sound, 50: 2, 94–6.
Jurecic, Ann (2012), Illness as Narrative, Pittsburgh: University of Pittsburgh Press.
Kaleem, Jaweed (2013), ‘Scott Simon’s Tweets about Dying Mother Spur Conversation on Public Grief, Death on Social Media’, Huffington Post, 15 August 2013, <http://www.huffingtonpost.com/2013/08/09/scott-simon-tweets_n_3721527.html> (last accessed 27 July 2015).
Kaplan, Ann (2005), Trauma Culture: The Politics of Terror and Loss in Media and Literature, Piscataway, NJ: Rutgers University Press.
Keating, AnaLouise (ed.) (2009), The Gloria Anzaldúa Reader, Durham, NC: Duke University Press.
Keller, Bill (2014), ‘Heroic Measures’, The New York Times, 12 January 2014, <http://www.nytimes.com/2014/01/13/opinion/keller-heroic-measures.html?hpw&rref=opinion&_r=2> (last accessed 27 July 2015).
Keller, Emma G. (2014), ‘Forget Funeral Selfies: What Are the Ethics of Tweeting a Terminal Illness?’ Guardian, 8 January 2014.
Kiberd, Roisin (2014), ‘The Internet of Pain: When Suffering Goes Viral’, Motherboard, 26 June 2014, <http://motherboard.vice.com/en_au/read/the-inter-net-of-pain-when-suffering-goes-viral> (last accessed 27 July 2015).
Kilby, Jane (2001), ‘Carved in Skin: Bearing Witness to Self-Harm’, in Sara Ahmed and Jackie Stacey (eds), Thinking through the Skin, London: Routledge, pp. 124–42.
King, Susan E. (1993), Treading the Maze: An Artist’s Journey through Breast Cancer, San Francisco: Chronicle Books.
Kirmayer, Laurence J. (2000), ‘Broken Narratives: Clinical Encounters and the Poetics of Illness Experience’, in Cheryl Mattingly and Linda C. Garro (eds), Narrative and the Cultural Construction of Illness and Healing, Berkeley: University of California Press, pp. 153–80.
Klawiter, Maren (2008), The Biopolitics of Breast Cancer: Changing Cultures of Disease and Activism, Minneapolis: University of Minnesota Press.
Kleinman, Arthur (1988), The Illness Narratives: Suffering, Healing, and the Human Condition, New York: Basic Books.
Kleinman, Arthur, and Peter Benson (2006), ‘Anthropology in the Clinic: The Problem of Cultural Competency and How to Fix It’, PLOS Medicine, 3: 10, 1673–6.
Klima, Stefan (1998), Artists Books: A Critical Survey of the Literature, New York: Granary Books.
Kouba, Petr (2014), The Phenomenon of Mental Disorder: Perspectives of Heidegger’s Thought in Psychopathology, London: Springer.
Kraut, Alan M. (1995), Silent Travelers: Germs, Genes, and the Immigrant Menace, Baltimore: Johns Hopkins University Press.
Kritsky, Gene, and Ron Cherrie (2000), Insect Mythology, Lincoln, NE: Writers Club Press.
Kron, Lisa (2001), 2.5 Million Ride and 101 Humiliating Stories, New York: Theatre Communications Group.
(p.234) Kron, Lisa (2006a), Well, New York: Theatre Communications Group.
Kron, Lisa (2006b), ‘The Importance of Being Lisa Kron: An Interview by Wendy Weisman’, Theatre Communications Group, <http://www.tcg.org/publications/at/mar06/sheik.cfm> (last accessed 27 July 2015).
Krumboltz, Mike (2013), ‘Breast Cancer Survivor Posts Time-Lapse Video of Treatment’, Yahoo News, <http://news.yahoo.com/cancer-survivor-posts-time-lapse-video-of-treatment–204001044.html> (last accessed 27 July 2015).
Kuppers, Petra (2001), ‘Deconstructing Images: Performing Disability’, Contemporary Theatre Review, 11: 3/4, 25–40.
Kuppers, Petra (2003), Disability and Contemporary Performance: Bodies on Edge, London: Routledge.
Kuppers, Petra (2007), The Scar of Visibility: Medical Performances and Contemporary Art, Minneapolis: University of Minnesota Press.
LaCapra, Dominick (1994), Representing the Holocaust: History, Theory, Trauma, Ithaca, NY: Cornell University Press.
Langellier, Kristin M. (2001), ‘ “You’re Marked”: Breast Cancer, Tattoo, and the Narrative Performance of Identity’, in Jens Brockmeier and Donal Carbaugh (eds), Narrative and Identity: Studies in Autobiography, Self, and Culture, Amsterdam: John Benjamins, pp. 145–84.
Langellier, Kristin M. (2009), ‘Performing Narrative Medicine’, Journal of Applied Communication Research, 37: 2, 151–8.
Lauf, Cornelia, and Clive Phillpot (1998), Artist/Author: Contemporary Artists’ Books, New York: The American Federation of Arts.
Leibovitz, Annie (2006), A Photographer’s Life, 1990–2005, New York: Random House.
Lester, Rebecca J. (1997), ‘The (Dis)Embodied Self in Anorexia Nervosa’, Social Science & Medicine, 44: 4, 479–89.
Levinas, Emmanuel  (2007), Totality and Infinity: An Essay on Exteriority, trans. Alphonso Lingis, Pittsburgh: Duquesne University Press.
Levinas, Emmanuel (1996), Basic Philosophical Writings, ed. Adriaan T. Peperzak, Simon Critchley and Robert Bernasconi, Bloomington: Indiana University Press.
Levinas, Emmanuel (1998), ‘Philosophy and the Idea of Infinity’, in Collected Philosophical Papers, trans. Alphonso Lingis, Pittsburgh: Duquesne University Press, pp. 47–59.
Linton, Simi (2006), My Body Politic: A Memoir, Ann Arbor: University of Michigan Press.
López, Marva (2003), ‘A Critical Analysis of Guillermo Gómez-Peña’s Performance Art: A Study in the Cultural Borderlands with Implication for Art Education’, Florida State University, Electronic Theses, Treatises and Dissertations, Paper 1064, <http://diginole.lib.fsu.edu/cgi/viewcontent.cgi?article=3169&context=etd> (last accessed 27 July 2015).
Lorde, Audre (1996), The Audre Lorde Compendium: Essays, Speeches and Journals, London: Pandora.
(p.235) Lorenz, Karl, Jillisa Steckart and Kenneth Rosenfeld (2004), ‘End-of-life Education Using the Dramatic Arts: The Wit Educational Initiative’, Academic Medicine, 79: 5, 481–6.
Loughrey, Felicity (2006), ‘Sam I Am’, Australian Vogue Magazine, 1 April 2006, FPC Magazines, p. 91.
Lovejoy, Margot (1994), The Book of Plagues, Purchase, NY: State University of New York Visual Arts Division.
Ludmerer, Kenneth M. (1999), ‘Instilling Professionalism in Medical Education’, Journal of the American Medical Association, 282: 9, 881–2.
Lupton, Deborah (2012), Medicine as Culture: Illness, Disease and the Body, London: Sage.
Lyons, Joan (1989), The Gynecologist, Rochester, NY: Visual Studies Workshop Press.
Macneill, Paul Ulhas (2011), ‘The Arts and Medicine: A Challenging Relationship’, Medical Humanitities, 37, 85–90.
McCarney, Scott L. (1988), Memory Loss, Rochester, NY: Visual Studies Workshop Press.
McCartney, Mary (2008), ‘Contributors’, Harper’s Bazaar, 1 January 2008, p. 20.
McCloud, Scott (1993), Understanding Comics: The Invisible Art, Northampton, MA: Kitchen Sink Press.
McCormick, Gail (2001), Living with Multiple Chemical Sensitivity: Narratives of Coping, Jefferson, NC: McFarland.
McKechnie, Claire Charlotte (2014), ‘Anxieties of Communication: The Limits of Narrative in the Medical Humanities’, Medical Humanities (published online first), 28 May 2014, 1–6, <http://mh.bmj.com/content/early/2014/05/28/medhum–2013–010466.full> (last accessed 27 July 2015).
McLane, Janice (1996), ‘The Voice on the Skin: Self-Mutilation and Merleau-Ponty’s Theory of Language’, Hypatia, 11: 4, 107–19.
McLellan, Faith (1997), ‘ “A Whole Other Story”: The Electronic Narrative of Illness’, Literature and Medicine, 16: 1, 88–107.
Maitland, Sara (2008), A Book of Silence, London: Granta.
Margulies, Ivone (1993), ‘Delaying the Cut: The Space of Performance in Lightning Over Water’, Screen, 34: 1, 54–68.
Marks, Laura U. (2002), Touch: Sensuous Theory and Multisensory Media, Minneapolis: University of Minnesota Press.
Martin, Rosy (2013), ‘Inhabiting the Image: Photography, Therapy and Re-enactment Phototherapy’, in Del Loewenthal (ed.), Phototherapy and Therapeutic Photography in a Digital Age, London: Routledge, pp. 69–81.
Mason, Helen Rachel (2009), ‘Dare to Dream: The Use of Animation in Occupational Therapy’, Mental Health Occupational Therapy, 14: 3, 111–15.
Mattingly, Cheryl (2000), ‘Emergent Narratives’, in Cheryl Mattingly and Linda C. Garro (eds), Narrative and the Cultural Construction of Illness and Healing, Berkeley: University of California Press, pp. 181–211.
(p.236) Mattingly, Cheryl, and Linda C. Garro (eds) (2000), Narrative and the Cultural Construction of Illness and Healing, Berkeley: University of California Press.
Matuschka (1992), ‘The Body Positive: Got to Get This off My Chest’, On the Issues, 25, 30–7.
Meikle, Graham, and Sherman Young (2011), Media Convergence: Networked Digital Media in Everyday Life, Houndmills: Palgrave Macmillan.
Meskó, Bertalan (2013), Social Media in Clinical Practice, London: Springer.
Mienczakowski, Jim (1997), ‘Theater of Change’, Research in Drama Education, 2: 2, 159–72.
Miller, J. Hillis (2008), ‘Touching Derrida Touching Nancy: The Main Traits of Derrida’s Hand’, Derrida Today, 1: 2, 145–66.
Miller, Nancy K. (2000), Bequest and Betrayal: Memoirs of a Parent’s Death, Bloomington: Indiana University Press.
Mills, Letha E. (2003), ‘Martha Hall’s Books’, in Holding In, Holding On, exhibition catalogue, Mortimer Rare Book Room, Smith College, Northampton, MA: Smith College/Herlin Press, pp. 4–9.
Minich, Julie Avril (2014), Accessible Citizenships: Disability, Nation, and the Cultural Politics of Greater Mexico, Philadelphia: Temple University Press.
Mitchell, Breon (1996), ‘The Secret Life of the Book: The Livre d’Artiste and the Act of Reading’, in Laurie Edson (ed.), Conjunctions: Verbal-Visual Relations, San Diego: San Diego University Press, pp. 161–7.
Mitchell, David T., and Sharon L. Snyder (2000), Narrative Prosthesis: Disability and the Dependencies of Discourse, Ann Arbor: University of Michigan Press.
Moir, Sophia (2014), ‘Man Asks Strangers to Photoshop a Picture of His Baby Daughter after She Passes Away in Hospital’, Yahoo, <https://uk.lifestyle.yahoo.com/man-asks-strangers-to-photoshop-a-picture-of-his-baby-daughter-after-she-passes-away-in-hospital–095125195.html#nt> (last accessed 27 July 2015).
Montgomery, Hunter K. (2006), How Doctors Think: Clinical Judgement and the Practice of Medicine, Oxford: Oxford University Press.
Moore, Samantha (2010), ‘The Truth of Illusion: Animated Documentary and Theory’, 11 November 2010, <http://www.apengine.org/2010/11/the-truth-of-illusion-animated-documentary-and-theory-by-samantha-moore/> (last accessed 27 July 2015).
Moore, Samantha (2011), ‘ “Does this Look Right?” Working inside the Collaborative Frame’, conference paper, Animated Realities: Animation, Documentary and the Moving Image, University of Edinburgh, Edinburgh College of Art and the Edinburgh International Film Festival, 23–4 June 2011.
Morgan, Michael L. (2011), The Cambridge Introduction to Emmanuel Levinas, Cambridge: Cambridge University Press.
Morris, David B. (1998), Illness and Culture in the Postmodern Age, Berkeley: University of California Press.
(p.237) Mulvey, Laura (1975), ‘Visual Pleasure and Narrative Cinema’, Screen, 16: 3, 6–18.
Mulvey, Laura (2006), Death 24x a Second: Stillness and the Moving Image, London: Reaktion.
‘My Body the Battleground: Sam Taylor-Wood Bares All after Cancer and Two Births’, (2007) Daily Mail Online, 13 December 2007, <http://www.dailymail.co.uk/femail/article–501216/My-body-battleground-Sam-Taylor-Wood-bares-cancer-births.html> (last accessed 27 July 2015).
Neri, Louise (2006), ‘Theatre of the Selves: Sam Taylor-Wood’s Portraiture’, essay in exhibition brochure Sam Taylor-Wood, Sydney: Museum of Contemporary Art.
Nichols, Bill (1993), ‘ “Getting to Know You …”: Knowledge, Power and the Body’, in Michael Renov (ed.), Theorizing Documentary, New York: Routledge, pp. 174–92.
Nichols, Bill (2001), Introduction to Documentary, Bloomington: Indiana University Press.
Novoa, Mónica (2014), ‘Chicago Hospital Deports Quadriplegic Man, Hate Speech Cheers’, Colorlines, 14 February 2011, <http://colorlines.com/archives/2011/02/chicago_hospital_deports_quadriplegic_man_hate_speech_cheers.html> (last accessed 27 July 2015).
Oliver, Kelly (2001), Witnessing: Beyond Recognition, Minneapolis: University of Minnesota Press.
O’Rourke, Meghan (2013), ‘Tweeting Death’, The New Yorker, 31 July 2013, <http://www.newyorker.com/culture/culture-desk/tweeting-death> (last accessed 27 July 2015).
O’Rourke, Meghan (2014), ‘Tweeting Cancer’, The New Yorker, 13 January 2014, <http://www.newyorker.com/culture/culture-desk/tweeting-cancer> (last accessed 27 July 2015).
Pattison, Stephen (2003), ‘Medical Humanities: A Vision and Some Cautionary Notes’, Medical Humanities, 29, 33–6.
Paul, Trisha (2013), ‘Tweeting and Grieving’, Investigating Illness Narratives, blog, <http://illnessnarratives.com/2013/08/02/tweeting-and-grieving/> (last accessed 27 July 2015).
Payer, Lynn (1996), Medicine and Culture, New York: Henry Holt.
Paz, Octavio (1961), The Labyrinth of Solitude: Life and Thought in Mexico, trans. Lysander Kemp, New York: Grove Press.
Perreault, Jeanne (1995), Writing Selves: Contemporary Feminist Autography, Minneapolis: University of Minnesota Press.
Power, Simon, Rachel Kent, Justine McLisky and Jasmin Stephens (2006), Sam Taylor-Wood, Education kit, Sydney: Museum of Contemporary Art, 28 pages <http://citygallery.org.nz/assets/New-Site/Education/Education-Resources/Sam%20Taylor-Wood%20Resource%20Kit.pdf> (last accessed 27 July 2015).
Prendergast, Catherine (2008), ‘The Unexceptional Schizophrenic: A Post-Postmodern Introduction’, Journal of Literary Disability, 2: 1, 56–62.
(p.238) Prince, Muriel (2008), ‘Women and Books’, The Bonefolder: an e-journal for the bookbinder and book artist, 4: 2, 3–10, <http://www.philobiblon.com/bonefolder/BonefolderVol4No2.pdf> (last accessed 27 July 2015).
Radetsky, Peter (1997), Allergic to the Twentieth Century: The Explosion in Environmental Allergies–From Sick Buildings to Multiple Chemical Sensitivity, London: Little, Brown.
Radley, Alan (2009), Works of Illness: Narrative, Picturing, and the Social Response to Serious Disease, Ashby-de-la-Zouch: InkerMen Press.
Radley, Alan, and Susan E. Bell (2007), ‘Artworks, Collective Experience and Claims for Social Justice: The Case of Women Living with Breast Cancer’, Sociology of Health & Illness, 29: 3, 366–90.
Randolph, Theron G., and Ralph W. Moss (1980), An Alternative Approach to Allergies: The New Field of Clinical Ecology Unravels the Environmental Causes of Mental and Physical Ills, New York: Lippincott & Crowell.
Raoul, Valerie, Connie Canam, Angela D. Henderson and Carla Paterson (eds) (2007), Unfitting Stories: Narrative Approaches to Disease, Disability and Trauma, Waterloo, ON: Wilfrid Laurier University Press.
Ratcliffe, Matthew (2014), Experiences of Depression: A Study in Phenomenology, Oxford: Oxford University Press.
Ray, Nicholas (1993), ‘The Attitude toward Today …’, in Susan Ray (ed.), I Was Interrupted: Nicholas Ray on Making Movies, Berkeley: University of California Press, pp. 157–68.
Ray, Nicholas, Wim Wenders, Gerry Bamman and Susan Ray (1993), ‘Lightning over Water’, in Susan Ray (ed.), I Was Interrupted: Nicholas Ray on Making Movies, Berkeley: University of California Press, pp. 205–13.
Reagan, Leslie J., Nancy Tomes and Paula A. Treichler (eds) (2007), Medicine’s Moving Pictures: Medicine, Health, and Bodies in American Film and Television, Rochester, NY: University of Rochester Press.
Reid, Katharine J., Meshak Kgakololo, Ruth M. Sutherland, Susan L. Elliott and Agnes E. Dodds (2012), ‘First-year Medical Students’ Willingness to Participate in Peer Physical Examination’, Teaching and Learning in Medicine, 24: 1, 55–62.
Reiheld, Alison (2010), ‘Patient Complains of … How Medicalization Mediates Power and Justice’, International Journal of Feminist Approaches to Bioethics, 3: 1, 72–98.
Renov, Michael (1999), ‘Domestic Ethnography and the Construction of the “Other” Self’, in Jane M. Gaines and Michael Renov (eds), Collecting Visible Evidence, Minneapolis: University of Minnesota Press, pp. 140–55.
Richardson, Ruth (2000), ‘A Necessary Inhumanity?’ Medical Humanities, 26: 2, 104–6.
Rimmon-Kenan, Shlomith (2006), ‘What Can Narrative Theory Learn from Illness Narratives?’, Literature and Medicine, 25: 2, 241–54.
(p.239) Roe, Annabelle Honess (2009), Animating Documentary, PhD dissertation, University of Southern California, <http://digitallibrary.usc.edu/cdm/ref/collection/p15799coll127/id/257788> (last accessed 27 July 2015).
Roe, Annabelle Honess (2013), Animated Documentary, Houndmills: Palgrave Macmillan.
Román, David (2005), Performance in America: Contemporary US Culture and the Performing Arts, Durham, NC: Duke University Press.
Rosenbaum, Jonathan (2014), ‘Looking for Nicholas Ray’, in Steven Rybin and Will Scheibel (eds), Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema, Albany, NY: State University of New York Press, pp. 9–18.
Rossiter, Kate (2012), ‘Bearing Response-Ability: Theater, Ethics and Medical Education’, Journal of Medical Humanities, 33, 1–14.
Rossiter, Kate, Pia Kontos, Angela Colantonio, Julie Gilbert, Julia Gray and Michelle Keightley (2008), ‘Staging Data: Theater as a Tool for Analysis and Knowledge Transfer in Health Research’, Social Science & Medicine, 66: 1, 130.
Russell, Catherine (1995), Narrative Mortality: Death, Closure, and New Wave Cinemas, Minneapolis: University of Minnesota Press.
Sartwell, Crispin (2000), End of Story: Toward an Annihilation of Language and History, Albany, NY: State University of New York Press.
Sawday, Jonathan (2006), ‘The Paradoxes of Interiority’, in Andrew Patrizio and Dawn Kemp (eds), Anatomy Acts: How We Come to Know Ourselves, Edinburgh: Birlinn, pp. 1–15.
Saywell, Cherise, Lesley Henderson and Liza Beattie (eds) (2000), ‘Sexualized Illness: The Newsworthy Body in Media Representations of Breast Cancer’, in Ideologies of Breast Cancer: Feminist Perspectives, New York: St Martin’s, pp. 37–62.
Scannell, Kate (1999), Death of the Good Doctor: Lessons from the Heart of the AIDS Epidemic, San Francisco: Cleis.
Scheibler, Susan (1993), ‘Constantly Performing the Documentary: The Seductive Promise of Lightning Over Water’, in Michael Renov (ed.), Theorizing Documentary, New York: Routledge, pp. 135–50.
Schweitzer, Mary (1997), ‘Chronic Fatigue Syndrome and the Cynics: A Review of Elaine Showalter’s Hystories: Hysterical Epidemics and Modern Media’, Essays about ME/CFS, <http://www.cfids-me.org/marys/elaine.html> (last accessed 27 July 2015).
Sculpture in the Close (2005), exhibition featuring Sam Taylor-Wood, Jesus College, University of Cambridge, <http://www.cam.ac.uk/news/sculpture-in-the-close> (last accessed 27 July 2015).
Sedgwick, Eve Kosofky (1994), Tendencies, London: Routledge.
Sedgwick, Eve Kosofsky (1999), ‘In the Bardo’, screed distributed at the installation Floating Columns/In the Bardo, City University of New York.
Sedgwick, Eve Kosofsky (2003), Touching Feeling: Affect, Pedagogy, Performativity, Durham, NC: Duke University Press.
(p.240) Self, Donnie J, and DeWitt C. Baldwin (1990), ‘Teaching Medical Humanities through Film Discussions’, Journal of Medical Humanities, 11: 1, 23–9.
Serlin, David (ed.) (2010), Imagining Illness: Public Health and Visual Culture, Minneapolis: University of Minnesota Press.
Shafer, Audrey (2009), ‘Medical Humanities: Demarcations, Dilemmas and Delights’, Medical Humanities, 35: 3–4.
Shapiro, Johanna (2007), ‘Using Literature and Arts to Develop Empathy in Medical Students’, in Tom F. D. Farrow and Peter W. R. Woodruff (eds), Empathy in Mental Illness and Health, Cambridge: Cambridge University Press, pp. 473–94.
Shapiro, Johanna (2008), ‘Walking a Mile in their Patients’ Shoes: Empathy and Othering in Medical Students’ Education’, Philosophy, Ethics, & Humanities in Medicine, 3, 10.
Shapiro, Johanna (2012), ‘Whither (Whether) Medical Humanities? The Future of Humanities and Arts in Medical Education’, Journal for Learning through the Arts, 8: 1, <https://escholarship.org/uc/item/3x2898ww> (last accessed 27 July 2015).
Shapiro, Johanna, and Linda Hunt (2003), ‘All the World’s a Stage: The Use of Theatrical Performance in Medical Education’, Medical Education, 37, 922–7.
Shapiro, Johanna, Jack Coulehan, Delese Wear and Martha Montello (2009), ‘Medical Humanities and Their Discontents: Definitions, Critiques, and Implications’, Academic Medicine, 84: 2, 192–8.
Shorter, Edward (1992), From Paralysis to Fatigue: A History of Psychosomatic Illness in the Modern Era, New York: The Free Press.
Showalter, Elaine (1997), Hystories: Hysterical Epidemics and Modern Culture, London: Picador.
Skoller, Jeffrey (2011), ‘Making It (Un)real: Contemporary Theories and Practices in Documentary Animation’, Animation: An Interdisciplinary Journal, 6: 3, 207–14.
Smajdor, Anna, Andrea Stöckl and Charlotte Salter (2011), ‘The Limits of Empathy: Problems in Medical Education and Practice’, Journal of Medical Ethics, 37, 380–3.
Sobchack, Vivian (2004), Carnal Thoughts: Embodiment and Moving Image Culture, Berkeley: University of California Press.
Sontag, Susan (1979), On Photography, London: Penguin.
Sontag, Susan (1991), Illness as Metaphor and AIDS and Its Metaphors, London: Penguin.
Sontag, Susan (2004), Regarding the Pain of Others, London: Penguin.
Sosnowy, Collette (2013), Blogging Chronic Illness and Negotiating Patient-hood: Online Narratives of Women with MS, PhD dissertation, City University of New York, <http://gradworks.umi.com/35/61/3561642.html> (last accessed 27 July 2015).
Spence, Jo (1986), Putting Myself in the Picture: A Political, Personal and Photographic Autobiography, London: Camden.
(p.241) Spence, Jo (1990), ‘No I Can’t Do That, My Consultant Wouldn’t Like It’, in Silent Health: Women, Health, and Representation, London: Camera-work, pp. 75–87.
Spence, Jo (1995), Cultural Sniping: The Art of Transgression, London: Routledge.
Spence, Jo (2013), Jo Spence: The Final Project, ed. Louisa Lee, Manchester: Riding House.
Squier, Susan M. (2007), ‘Beyond Nescience: The Intersectional Insights of Health Humanities’, Perspectives in Biology and Medicine, 50: 3, 334–47.
Squier, Susan M., and Anne Hunsaker Hawkins (2004), ‘Medical Humanities and Cultural Studies: Lessons Learned from an NEH Institute’, Journal of Medical Humanities, 25: 4, 243–53.
Strawson, Galen (2004), ‘Against Narrativity’, Ratio, 17, 428–52.
Svenaeus, Fredrik (2000), The Hermeneutics of Medicine and the Phenomenology of Health, Dordrecht: Kluwer Academic.
Svenaeus, Fredrik (2011), ‘Illness as Unhomelike Being-in-the-World: Heidegger and the Phenomenology of Medicine’, Medicine, Health Care and Philosophy, 14, 323–31.
Swick, Herbert M., Philip Szenas, Deborah Danoff and Michael E. Whitcomb (1999), ‘Teaching Professionalism in Undergraduate Medical Education’, Journal of the American Medical Association, 282: 9, 830–2.
Sykäri, Venla (2009), ‘Dialogues in Rhyme: The Performative Contexts of Cretan Mantinádes’, Oral Tradition, 24: 1, 89–123.
Tanner, Laura E. (2006), Lost Bodies: Inhabiting the Borders of Life and Death, Ithaca, NY: Cornell University Press.
Taylor, Alice (2008), ‘Maximum Exposure’, Harper’s Bazaar, 1 January 2008, pp. 100–5.
Taylor-Wood, Sam, Michael Bracewell, Jeremy Millar and Clare Carolin (2002), Sam Taylor-Wood, Göttingen: Steidl for the Hayward Gallery.
Toombs, S. Kay (1992), The Meaning of Illness: A Phenomenological Account of the Different Perspectives of Physician and Patient, Dordrecht: Kluwer Academic Publishers.
Torgovnick, Kate May (2012), ‘How Salvatore Iaconesi Has Started a Movement for Open-Source Medical Files’, TED blog, <http://blog.ted.com/2012/10/02/how-salvatore-iaconesi-has-started-a-movement-for-open-source-medical-files/> (last accessed 27 July 2015).
Torgovnick, Kate May (2013), ‘Why I Open-Sourced Cures to My Cancer: Salvatore Iaconesi at TEDGlobal 2013’, TED blog, <http://blog.ted.com/2013/06/14/why-i-opensourced-cures-for-my-cancer-salvatore-iaconesi-at-tedglobal–2013/> (last accessed 27 July 2015).
Townsend, Molly Smith (2011), ‘Guillermo Gómez-Peña, Francis Alÿs, and the Situationist International’, MA thesis, Faculty of San Diego State University, <http://sdsu-dspace.calstate.edu/bitstream/handle/10211.10/1204/Townsend_Molly.pdf?sequence=1 http://www.urbandictionary.com/define.php?term=brownout> (last accessed 27July 2015).
(p.242) Tuttle, Jennifer (2003), personal email correspondence with Martha Hall, 19 March 2003.
Underhill, Linn (1981), Thirty Five Years/One Week, Rochester, NY: Visual Studies Workshop Press.
Vaccarella, Maria (2013), ‘Exploring Graphic Pathographies in the Medical Humanities’, Medical Humanities, 39, 70–1.
Veracity, Dani (2006), ‘Human Medical Experimentation in Modern Times: How Immigrants, Poor People, Minorities and Children Are Modern-Day Guinea Pigs for Big Pharma’, 7 March 2006, Natural News, <http://www.naturalnews.com/019193_drug_Big_Pharma_guinea_pigs.html> (last accessed 27 July 2015).
Verghese, Abraham (1994), My Own Country: A Doctor’s Story of a Town and Its People in the Age of AIDS, New York: Simon and Schuster.
Waddington, Keir, and Martin Willis (2013), ‘Introduction: Rethinking Illness Narratives’, Journal of Literature & Science, 6: 1, iv–v.
Wald, Priscilla (2008), Contagious: Cultures, Carriers, and the Outbreak Narrative, Durham, NC: Duke University Press.
Walton, Judith May (2010), By Hand and Eye: Dance in the Space of the Artist’s Book, PhD dissertation, School of Communication and the Arts, Faculty of Arts, Education, and Human Development, Victoria University, <http://vuir.vu.edu.au/16100/1/Judith_Walton_PhD.pdf> (last accessed 27 July 2015).
Ward, Paul (2005), Documentary: The Margins of Reality, London: Wall-flower.
Wasserman, Krystyna (ed.) (2011), The Book as Art: Artists’ Books from the National Museum of Women in the Arts, New York: Princeton Architectural Press.
Wear, Delese, and Joseph Zarconi (2007), ‘Can Compassion Be Taught? Let’s Ask Our Students’, Journal of General Internal Medicine, 23, 948–53.
Wells, Paul (1998), Understanding Animation, Abingdon: Routledge.
Wells, Paul (2011), ‘ “Never Mind the Bollackers”: Repositories, Sites and Archives in Animated Non-Fiction’, keynote paper, Animated Realities: Animation, Documentary and the Moving Image, University of Edinburgh, Edinburgh College of Art and the Edinburgh International Film Festival, 22–4 June 2011.
Wenders, Wim (2001), On Film: Essays and Conversations, London: Faber and Faber.
Wenders, Wim (2008a), ‘Interview with Wim Wenders’ by Ian Haydn Smith, September 2008, inside booklet of Wim Wenders’ Documentaries DVD, London: Axiom, 2008, pp. 1–4. Interview transcript also available online, <http://www.axiomfilms.co.uk/discover/interviews/interview-with-wim-wenders-on-the-documentaries.html> (last accessed 27 July 2015).
Wenders, Wim (2008b), ‘In Memory of Nick’, inside booklet of Wim Wenders’ Documentaries DVD, London: Axiom, 2008.
Weston, Heather (2000), Binding Analysis: Double Bind, London: Bookery.
(p.243) Whitehead, Anne (2014), ‘The Medical Humanities: A Literary Perspective’, in Victoria Bates, Alan Bleakley and Sam Goodman (eds), Medicine, Health and the Arts: Approaches to the Medical Humanities, London: Routledge, pp. 107–27.
Widdowson, Alex (2013), Review of Caldera by Evan Viera, 11 May 2013, <https://animateddocs.wordpress.com/tag/mental-health/> (last accessed 27 July 2015).
Wikan, Unni (2000), ‘With Life in One’s Lap: The Story of an Eye/I’, in Cheryl Mattingly and Linda C. Garro (eds), Narrative and the Cultural Construction of Illness and Healing, Berkeley: University of California Press, pp. 212–36.
Williams, Ian C. M. (2014), ‘Graphic Medicine: The Portrayal of Illness in Underground and Autobiographical Comics’, in Victoria Bates, Alan Bleakley and Sam Goodman (eds), Medicine, Health and the Arts: Approaches to the Medical Humanities, London: Routledge, pp. 64–84.
Willis, Martin, Keir Waddington and Richard Marsden (2013), ‘Imaginary Investments: Illness Narratives Beyond the Gaze’, Journal of Literature & Science, 6: 1, 55–73.
Woods, Angela (2011a), ‘The Limits of Narrative: Provocations for the Medical Humanities’, Medical Humanities, 37, 73–8.
Woods, Angela (2011b), The Sublime Object of Psychiatry: Schizophrenia in Clinical and Cultural Theory, Oxford: Oxford University Press.
Woods, Angela (2012), ‘Beyond the Wounded Storyteller: Rethinking Narrativity, Illness and Embodied Self-Experience’, in Havi Carel and Rachel Cooper (eds), Health, Illness and Disease: Philosophical Essays, Durham: Acumen, pp. 113–28.
Woods, Angela (2013), ‘Rethinking “Patient Testimony” in the Medical Humanities: The Case of Schizophrenia Bulletin’s First Person Accounts’, Journal of Literature and Science, 6: 1, 38–54.
Woodward, Kathleen (2009), Statistical Panic: Cultural Politics and Poetics of the Emotions, Durham, NC: Duke University Press.
Zagarell, Sandra A. (1998), ‘Narrative of Community: The Identification of a Genre’, Signs, 13: 3, 498–527.
Zubeil, Francine (1993), Panique Générale, Marseille: Editions de l’ Observatoire.