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We Have Never Been PostmodernTheory at the Speed of Light$
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Steve Redhead

Print publication date: 2011

Print ISBN-13: 9780748643448

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748643448.001.0001

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Pastmodernism

Pastmodernism

Chapter:
(p.83) CHAPTER 5 Pastmodernism
Source:
We Have Never Been Postmodern
Author(s):

Steve Redhead

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748643448.003.0005

It is possible to trace the emergence of Bob Dylan's late style to the New York Supper Club shows in the early 1990s. In the early 1990s, too, Bob Dylan was shaking off the debilitating curse of his Born Again Christian period, which dated back to the late 1970s. There is, it seems, a lost moment in this history of modernity in popular music culture: the early 1990s. This was a period where Bob Dylan finally emerged from the relative slumbers of more than two decades and prepared to haul himself back to the American, and global, marketplace. Dylan is not so much a ‘postmodern’ thief in the night, as so many critics have presented his supposed widespread and longstanding ‘plagiarism’. He is more than this. He is a seeker of the art of the ‘old, weird America’.

Keywords:   Bob Dylan, New York Supper Club, Born Again, postmodern thief, plagiarism, music culture

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