- Title Pages
- List of Illustrations
- Introduction Deleuze and Guattari <i>and</i> Contemporary Art
- Chapter 1 The Politics of the Scream in a Threnody
- Chapter 2 A Shift Towards the Unnameable
- Chapter 3 The Heterogenesis of Fleeing
- Chapter 4 Anita Fricek: Contemporary Painting as Institutional Critique
- Chapter 5 Capitalism and Schizophrenia and Consensus: Of Relational Aesthetics<sup>*</sup>
- Chapter 6 The Practice and Anti-Dialectical Thought of an ‘Anartist’
- Chapter 7 Ethologies of Software Art: What Can a Digital Body of Code Do?
- Chapter 8 Fractal Philosophy (And the Small Matter of Learning How to Listen): Attunement as the Task of Art
- Chapter 9 An Art Scene as Big as the Ritz: The Logic of Scenes
- Chapter 10 Abstract Humour, Humorous Abstraction
- Chapter 11 From Aesthetics to the Abstract Machine: Deleuze, Guattari and Contemporary Art Practice
- Chapter 12 Traps Against Capture
- Chapter 13 Sign and Information: On Anestis Logothetis’ Graphical Notations
- Chapter 14 Anti-Electra: Totemism and Schizogamy
- Chapter 15 Unimaginable Happenings: Material Movements in the Plane of Composition
- Chapter 16 Bloodcrystalpollenstar<sup>1</sup>
- Notes on Contributors
- (p.286) Chapter 16 Bloodcrystalpollenstar1
- Deleuze and Contemporary Art
- Edinburgh University Press
This chapter offers a poetic fiction that dramatises a number of Deleuzian concepts lived by their cast of invented conceptual personae, bringing together art and philosophy, sensation and the concept, in a pragmatic experiment calling forth a new earth, and a new people. It highlights the abstract beauty of truly transversal production and foregrounds the heterogenesis of the world.
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