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Immanence - Deleuze and Philosophy$
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Miguel de Beistegui

Print publication date: 2010

Print ISBN-13: 9780748638307

Published to Edinburgh Scholarship Online: September 2012

DOI: 10.3366/edinburgh/9780748638307.001.0001

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Aesthetics

Aesthetics

Chapter:
(p.160) 6 Aesthetics
Source:
Immanence - Deleuze and Philosophy
Author(s):

Miguel de Beistegui

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748638307.003.0007

This chapter demonstrates the affinity between philosophy and art, or between concepts, by taking the examples of Marcel Proust and Francis Bacon. It specifically refers to literature and painting. Gilles Deleuze's thought matured between the plane of explication and that of complication, between the first and the second edition of Proust and Signs. The figures in Bacon's paintings always fall short of a complete dissolution. His work is irreducible to the various artistic tendencies that have been sketched so far. Wilhelm Worringer determines a type of non-organic vitality in art, especially in northern European medieval art. Deleuze opposes the realism of deformation. Essence is nothing spiritual, but a material force or an energy emanating from a thing or a person. It is this ‘abbreviation into intensity’ that Bacon has sought to produce.

Keywords:   philosophy, art, Marcel Proust, Francis Bacon, literature, painting, Gilles Deleuze, Wilhelm Worringer

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