The Literary Cold War, 1945 to Vietnam
The Literary Cold War, 1945 to Vietnam
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Abstract
This book is a study of the psychological and cultural impact of the Cold War on the imaginations of citizens in the UK and US. It examines writers working at the hazy borders between aesthetic project and political allegory, with specific attention being paid to Vladimir Nabokov and Graham Greene as Cold War writers. The book looks at the special relationship as a form of paranoid plotline governing key Anglo-American texts from Storm Jameson to Sylvia Plath and Ted Hughes, as well as examining the figure of the non-aligned neutral observer caught up in the sacrificial triangles structuring Cold War fantasy. The book aims to consolidate and define a new emergent field in literary studies, the literary Cold War, following the lead of prominent historians of the period. It looks at leading Anglo-American writers in terms of the Cold War as a psychological and fantasy phenomenon. It provides significant readings of key post-war writers.
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Front Matter
- Introduction
- 1 The Special Relationship and the British Hypothesis: The Black Laurel, The Third Man, Cold War Vienna and Berlin
- 2 Cold War on the 1930s and Sacrificial Naming: John Dos Passos and Josephine Herbst
- 3 DEW Line, Uranium and the Arctic Cold War: Ginsberg’s Kaddish and Nabokov’s Lolita
- 4 Cold War Sex War, Or the Other Being Inside: Burroughs, Paley, Plath, Hughes
- 5 The Sacrificial Logic of the Asian Cold War: Greene’s The Quiet American and McCarthy’s The Seventeenth Degree
- Conclusion
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End Matter
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