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The Edinburgh Companion to Shakespeare and the Arts$
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Mark Thornton Burnett and Adrian Streete

Print publication date: 2011

Print ISBN-13: 9780748635238

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748635238.001.0001

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Shakespeare and Early Modern Music

Shakespeare and Early Modern Music

Chapter:
(p.119) 7 Shakespeare and Early Modern Music
Source:
The Edinburgh Companion to Shakespeare and the Arts
Author(s):

Christopher R. Wilson

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748635238.003.0008

This chapter pursues an archaeology of emotions, situations and materials, pinpointing when songs were sung and how, in the plays. It determines the instruments used, and the meanings attached to them, that single out for comment vocal forms (the madrigal and the ayre), composers and genres and the part played by musical references in theatrical production. It addresses the relationship between the music and songs of Shakespeare's plays and early modern music and musical practice. The use of song as interjected distraction or entertainment is rare in Shakespeare. The physical sound of instruments in Shakespeare's theatre had two functions: one to accompany entrances and exits, the second to add symbolic significance. Shakespeare cites vocal and instrumental genres of contemporary music and dance; he employs performed music from both art and popular cultures as mimetic and non-mimetic kinds. Music for Shakespeare was an essential part of his dramatic and thematic material.

Keywords:   Shakespeare, early modern music, madrigal, ayre, composers, genres, musical practice, theatre

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