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Christmas, Ideology and Popular Culture$
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Sheila Whiteley

Print publication date: 2008

Print ISBN-13: 9780748628087

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748628087.001.0001

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The Musical Underbelly of Christmas

The Musical Underbelly of Christmas

Chapter:
(p.113) Chapter 7 The Musical Underbelly of Christmas
Source:
Christmas, Ideology and Popular Culture
Author(s):

Freya Jarman-Ivens

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748628087.003.0008

This chapter observes that rival songs and bands enact a battle for the coveted title of This Year's Christmas Number One — champion of Christmas Present — and in doing so also presumably hope to be included on the commercially available soundtracks to Christmases Future. It also reports, while perennial favourites sing of friendship, love, peace, and happiness, hidden amongst these banal vehicles of propaganda are occasional gems that confront, both lyrically and musically, the dominant Christmas values. Furthermore, the relations between musical signifiers and some of the ‘alternative’ versions of Christmas that occupy positions on the outskirts of the festivities are examined. Two versions ‘Blue Christmas’ are then evaluated. By achieving a Christmas Number One and partly because it is so un-Christmassy a song, ‘Mad World’ may even have heralded the end of a golden age of Christmas pop.

Keywords:   propaganda, Christmas values, friendship, love, peace, happiness, musical signifiers

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