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Film SequelsTheory and Practice from Hollywood to Bollywood$
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Carolyn Jess-Cooke

Print publication date: 2009

Print ISBN-13: 9780748626038

Published to Edinburgh Scholarship Online: September 2012

DOI: 10.3366/edinburgh/9780748626038.001.0001

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Screaming, Slashing, Sequelling: What the Sequel Did to the Horror Movie

Screaming, Slashing, Sequelling: What the Sequel Did to the Horror Movie

Chapter:
(p.52) Chapter 2 Screaming, Slashing, Sequelling: What the Sequel Did to the Horror Movie
Source:
Film Sequels
Author(s):

Carolyn Jess-Cooke

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748626038.003.0003

This chapter explores the ways in which the sequel operates in conjunction with genre to facilitate discourse, institutional practices and spectatorial engagement. It specifically addresses the sequel that appears to be a primary mechanism of stabilisation as it consistently renegotiates generic meanings and values across periods of time. The link between the horror genre and the sequel is triangulated by their connection to cinema's ontological investments in representation and reality. Scream's circularity of exchanges between art and reality is provided as a form of sequelisation. The spectator of the genre film covers the co-existence of repetition and variation as well as the necessity of these as vital parts of the spectatorial experience by engaging, first and foremost, with the re-connective, interactive and remembering activities that underline the sequel.

Keywords:   sequel, Scream, horror genre, cinema, representation, reality, sequelisation

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