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TextsContemporary Cultural Texts and Critical Approaches$
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Peter Childs

Print publication date: 2006

Print ISBN-13: 9780748620432

Published to Edinburgh Scholarship Online: September 2012

DOI: 10.3366/edinburgh/9780748620432.001.0001

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Film: The Matrix and the I-pod

Film: The Matrix and the I-pod

Approach: Cyberphilosophy

Chapter:
(p.11) Chapter 1 Film: The Matrix and the I-pod
Source:
Texts
Author(s):

Peter Childs

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748620432.003.0002

The Matrix is unusual in being credited to two directors, brothers Larry and Andy Wachowski, and yet this concerted authorship, or auteurship, helps to point up the collaborative nature of film production. While a novel is a kind of technologically ‘simple’ text whose compositional provenance and physical characteristics are largely taken for granted by literature students, a film is what has been called a ‘thick text’: one which is technically, creatively and compositionally complex. The technical and design aspects to film production need to be considered carefully in a specialist vocabulary, but the thematic elements of film and its use of plot, narrative, and imagery are clearly components that are amenable to literary analysis. The Matrix is a text that also lends itself to traditions of philosophical interpretation.

Keywords:   Cyberphilosophy, The Matrix, Film and philosophy, science fiction films, Larry and Andy Wachowski

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