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American Independent CinemaAn Introduction$
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Yannis Tzioumakis

Print publication date: 2006

Print ISBN-13: 9780748618668

Published to Edinburgh Scholarship Online: September 2012

DOI: 10.3366/edinburgh/9780748618668.001.0001

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Epilogue: From Independent to ‘Specialty’ Cinema

Epilogue: From Independent to ‘Specialty’ Cinema

Chapter:
(p.281) Epilogue: From Independent to ‘Specialty’ Cinema
Source:
American Independent Cinema
Author(s):

Yannis Tzioumakis

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748618668.003.0010

This chapter argues that in the 2000s American independent cinema lost some of its cache. Overproduction, the move of the Hollywood studios in the independent sector and an increasing institutionalisation since the l990s made American independent cinema a less prestigious and ‘important’ enterprise compared to the previous two decades. With films made outside the US enjoying noteworthy commercial success at the North American box office and with both the independent distributors and the studios’ specialty labels participating in their distribution, the chapter proposes a shift from the term independent to the less ‘charged‘ and more easily definable term ‘specialty film’ to account for these developments

Keywords:   Specialty film, World cinema, Institutionalisation, Specialty labels, Independent distributors

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