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Deleuze and CinemaThe Aesthetics of Sensation$
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Barbara Kennedy

Print publication date: 2000

Print ISBN-13: 9780748611348

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748611348.001.0001

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Romeo and Juliet – Deleuzian Sensations

Romeo and Juliet – Deleuzian Sensations

Chapter:
(p.163) Chapter 8 Romeo and Juliet – Deleuzian Sensations
Source:
Deleuze and Cinema
Author(s):

Barbara M. Kennedy

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748611348.003.0008

This chapter examines the film Romeo and Juliet in the context of Gilles Deleuze's concept of sensations, suggesting that at the narrative and ideological level, the film seems to discredit romantic love premised on a self–other relational. It argues that despite the film's exemplification as a post-modern parody of romantic love, it simultaneously valorises love through a neo-aesthetic beyond subjectivity.

Keywords:   Romeo and Juliet, Gilles Deleuze, sensations, romantic love, self–other relational, subjectivity

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