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Deleuze and CinemaThe Aesthetics of Sensation$
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Barbara Kennedy

Print publication date: 2000

Print ISBN-13: 9780748611348

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748611348.001.0001

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The English Patient – Deleuzian Landscapes of Immanence

The English Patient – Deleuzian Landscapes of Immanence

Chapter:
(p.147) Chapter 7 The English Patient – Deleuzian Landscapes of Immanence
Source:
Deleuze and Cinema
Author(s):

Barbara M. Kennedy

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748611348.003.0007

This chapter examines the film The English Patient in relation to Gilles Deleuze's concept of the plane of immanence. It explains that although maps, mapping, and rhizomes offer a creative and experimental panoply in the light of Deleuzian ideas, maps also resonate across the narrative trajectory of the filmic experience of The English Patient. The chapter argues that maps and mapping are essential elements within the plot of this film, which centres around the memories of a mortally wounded and burnt war veteran and map-maker.

Keywords:   English Patient, Gilles Deleuze, plane of immanence, rhizomes, narrative trajectory, war veteran, map-maker

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