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Tyrants and tyranny are more than the antithesis of democracy and the mark of political failure: they are a dynamic response to social and political pressures. This book examines the autocratic rulers and dynasties of classical Greece and Rome and the changing concepts of tyranny in political thought and culture. It brings together historians, political theorists and philosophers, all offering new perspectives on the autocratic governments of the ancient world. The volume is divided into four parts. It looks at the ways in which the term ‘tyranny’ was used and understood, and the kinds of individual who were called tyrants. The book then focuses on the genesis of tyranny and the social and political circumstances in which tyrants arose. The chapters in the final part of the book examine the presentation of tyrants by themselves and in literature and history. Part IV discusses the achievements of episodic tyranny within the non-autocratic regimes of Sparta and Rome and of autocratic regimes in Persia and the western Mediterranean world. Written by a wide range of leading experts in their field, this book offers a new and comparative study of tyranny within Greek, Roman, and Persian society.

Classical archaeology has changed beyond recognition in the past generation, in its aims, its choice of subject-matter and the methods it uses. This book contains twenty-five chapters, some of them previously published only in rather inaccessible places, which have contributed to this change. The chapters cover four decades of work on pre-classical and classical Greece and some adjacent fields of scholarship, beginning in the 1960s when classical archaeology was not widely seen as a free-standing subject. They chart the progress of a movement for the intellectual independence of Greek archaeology and art, from history and textual studies and for recognition among other branches of archaeology. The key theme of the chapters is the importance of the Iron Age as the formative period in the making of classical Greece and the text varies this with comment on literature, history, anthropology, Aegean and European prehistory and Roman provincial archaeology. This collection represents innovative work in classical archaeology; challenges accepted boundaries and inhibitions; and is wide in scope, covering history, prehistory, art, literary interpretation, and field archaeology.

During the Hellenistic Period (c. 330-30 BCE), Alexander the Great and his successors reshaped their Persian and Greco-Macedonian legacies to create a new kind of rulership that was neither ‘western’ nor ‘eastern’ and would profoundly influence the later development of court culture and monarchy in both the Roman West and Iranian East. Drawing on the socio-political models of Norbert Elias and Charles Tilly, and covering topics such as palace architecture, royal women and court ritual, Courts and Elites in the Hellenistic Empires shows how the Hellenistic dynastic courts were instrumental in the integration of local elites in the empires, and the (re)distribution of power, wealth, and status. It analyses the competition among courtiers for royal favour and the, not always successful, attempts of the Hellenistic rulers to use these struggles to their own advantage.

Narratologies, both ‘classical’ structuralist narratology and the ‘new narratologies’ of the past twenty years, have mostly been built around the novel. At the same time, the history of narrative methods has become a recognized area of scholarly discussion. While this work is not confined to the history of the novel, the novel tends to be most prominent. Meanwhile, structuralist narratology has been adapted and applied to ancient literary texts. These studies tend to go directly from an individual text to universals, showing that a Greek author uses a technique found in modern literatures, or that the author's combination of techniques is unusual. They do not show how the methods of storytelling develop over time from one author or genre to another, or how Greek narrative is like and unlike other narrative traditions. This volume represents the beginnings of such a project. Several papers look particularly at ways in which early Greek narrative, particularly Homer, differs from earlier and contemporary Near Eastern narratives. Another group looks at typical features of Greek narrative (exemplarity, occasion, favoured structures). Another considers particular genres (historiography, lyric, tragedy). Others examine particular narrative devices through time or consider how Latin authors read and adapt Greek narrative. The volume as a whole shows how much remains to be explored once we study narrative historically; how much comparison can enhance our understanding of Greek; and how much the study of Greek narrative can contribute to narratology more broadly.

The book is an attempt to synthesize the results of several studies in archaeology, numismatics, history, and sigillography that have recently advanced our knowledge of early medieval Greece. Instead of a polar opposition between the Byzantine Empire and “barbarians” (Slavs or Bulgars), the history of early medieval Greece must be understood within a larger Balkan context shaped fundamentally by complex economic and social phenomena. An older tradition has seen the changes taking place in Greece between ca. 500 and ca. 1050 as the result of exclusively political factors, mainly related to the revival of Byzantine military power under the Macedonian dynasty and the desire to convert the Slavs to Christianity. Nevertheless, recent studies in the economic history of early medieval Europe suggest a different view. Moreover, archaeologists interested in long-term changes have long recognized that the explosion of settlement assemblages is not unique to Greece and that similar developments are archaeologically documented for other areas of the Balkans that were not under Byzantine rule at that time. More economically minded accounts of the so-called Middle Byzantine period have revealed the complex relation between trade and agriculture in the economic take-off of the Macedonian period. The book offers for the first time a synthetic view of the economic and social processes at work in early medieval Greece, but pays attention also to political and religious phenomena.

The civilisation of Ancient Mesopotamia flourished between 3300 BC and 2000 BC in the southern half of the lands between and either side of the Tigris and Euphrates, where a vast grain harvest (about equal to Canada's today) supported a large and well-ordered population. The early development of cuneiform writing, the world's first phonetic script, means that, for the first time in the history of humanity, it is possible to learn something of how people thought and felt. This book aims to do just that and, as the reader soon finds out, succeeds triumphantly. It takes the reader on a voyage of discovery into the public and private realms of the lives of our first civilised ancestors – their cooking and eating, feasts and festivals, wine and drinking, love and sex, what women could do and what they could not, magic and medicine, trial by ordeal, life in a palace above and below stairs, astrology and divination, gods and religion, and literature and myth.

This book describes the legends surrounding the origins, foundation, and early history of Rome; the significance the Romans attached to the legends of their origins; and the uses to which they put them. Between 1000 BC and 650 BC a cluster of small, isolated groups of thatched huts on the Roman hills became an extensive and complex city, its monumental buildings and large public spaces evidence of power and wealth. Two competing foundation legends accounted for this shift, one featuring the Trojan fugitive Aeneas and the other the wolf-reared Romulus and Remus. Both played a significant role in Roman thought and identity, preoccupying generations of Roman historians and providing an important theme in Roman poetry. In the last two centuries, the foundation era of Rome has been the subject of extensive investigations by archaeologists. These have revealed much that was previously a mystery and have allowed the piecing together of a coherent account of the early history of the city. The book considers this evidence and the degree to which it supports or undermines the legends, Roman documentary accounts, and the work of modern scholars. It reveals what now seems the most probable history of Rome's origins and rise to regional pre-eminence.

This book explores the Greek gods from Homer to Late Antiquity. The Greek gods are still very much present in modern consciousness. Yet even though Apollo and Dionysos, Artemis and Aphrodite, Zeus and Hermes are household names, it is much less clear what these divinities stood for in Ancient Greece. In fact they have been rather neglected in modern scholarship which has tended to focus on other aspects of Greek religion such as ritual and myth. The book brings together a term of international scholars with the aim of remedying the situation and generating new approaches to the study of the nature and development of the Greek gods. It looks at the individual gods but it also asks to what extent cult, myth and literary genre determine the nature of a divinity. How do the Greek gods function in a polytheistic pantheon and what is their connection to heroes? What is the influence of philosophy? What does archaeology tell us about the gods? In what ways do the gods of late antiquity differ from those of classical Greece? The aim of this book is to present a comprehensive view of the gods as they functioned in Greek culture until the triumph of Christianity.

This volume brings together an international team of scholars to explore the shifting shapes and functions of laughter and tears in the history, religion, art and literature of Greek communities from Antiquity to Byzantium and beyond. What makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in the everyday life and ritual of Greek communities, and what range of emotions do they entail? How may they be voiced, shaped and coloured in literature and liturgy, art and music? What happens when laughter and tears slip into each other and back again? What can we learn about human emotions and communicative modes across the ages, genres and cultures of Hellenic civilisation? The book breaks new ground in tracing the emotional, socio-cultural, religious and literary aspects of laughter and tears in a range of different artistic, cultural and historical contexts, across the longue durée of Greek civilisation. It brings students of ancient and Byzantine emotion into dialogue and shows how much is to be gained by collaborating across the disciplinary and chronological boundaries that demarcate the historical study of the Greek world.

The nineteen chapters of this book cover a wide variety of topics concerned with the Macedonian monarchy of the Ptolemies, which ruled Egypt after Alexander the Great until the Roman empire, and which rested on military control based on a Greek and Macedonian military force settled on the land. The first five chapters examine ways in which Ptolemy I, Ptolemy III, and Cleopatra VII sought political legitimacy and support in this multicultural society. The next section looks at the Greek experience in Egypt, as settlers on the land, as members of specific ethnic groups, and as creators of an urban milieu in which they could feel at home. The third part treats the complex economic life of Ptolemaic Egypt, with its tension between the king's need for revenue and the Greeks' desire to enrich themselves in their new home and in particular to acquire some of Egypt's rich grainland, not only to work as soldiers or bureaucrats. The resulting interactions between Greeks and Egyptians occupy the final section. Throughout the case-studies that make up this book, the author stresses the internal stresses and fractures of this colonial society, with multiple groups of actors having conflicting interests but needing to cooperate for any of them to succeed.